| Acknowledgements | 第1-9页 |
| 摘要 | 第9-10页 |
| Abstract | 第10-12页 |
| Chapter One Introduction | 第12-18页 |
| ·A Brief Introduction to James Joyce | 第12-14页 |
| ·A Brief Introduction to A Portrait of the Artist as a Young Man | 第14-16页 |
| ·The Objective and Significance of the Thesis | 第16页 |
| ·The Structure of the Thesis | 第16-18页 |
| Chapter Two Literature Review | 第18-31页 |
| ·International Reviews | 第18-25页 |
| ·Themes, Symbolism and Style of A Portrait of the Artist as a Young Man | 第18-20页 |
| ·Structures, Techniques and Aesthetic Theories of A Portrait of the Artist as a Young Man | 第20-23页 |
| ·Tone and Epiphanies in A Portrait of the Artist as a Young man | 第23-25页 |
| ·Domestic Reviews | 第25-29页 |
| ·Reviews in the 1980s | 第25页 |
| ·Reviews in the 1990s | 第25-26页 |
| ·Reviews in the 21~(st) century | 第26-29页 |
| ·Summary | 第29-31页 |
| Chapter Three A Survey of the Theory Duration | 第31-37页 |
| ·Concept of Duration | 第31-32页 |
| ·The Past, Present and future in Duration | 第32-34页 |
| ·Time and Space in Duration | 第34-37页 |
| Chapter Four An Analysis of Stephen Dedalus' Time Consciousness | 第37-66页 |
| ·Reliving the Past | 第37-56页 |
| ·Stephen's Whole Unconscious Past's Intrusion into Present | 第37-42页 |
| ·Stephen's Struggle of the Mixture of Time and Space | 第42-56页 |
| ·Eileen Vance: The Everlasting Instant | 第42-47页 |
| ·Mercedes, Emma, and the Prostitute: the Substitute for Eileen | 第47-56页 |
| ·Stephen's Balanced Duration | 第56-66页 |
| ·Freeing from Religion, Family and Society | 第57-60页 |
| ·Letting Past Pass and Life Journey Forward | 第60-66页 |
| Chapter Five Conclusion | 第66-68页 |
| Bibliography | 第68-74页 |
| Appendix:攻读学位期间发表的论文和研究成果 | 第74页 |
