| Synopsis | 第1-7页 |
| 摘要 | 第7-13页 |
| Introduction | 第13-19页 |
| Chapter One African-American Religion and James Baldwin’s Religious Theme | 第19-42页 |
| Ⅰ. Religion’s Traditional Role in African-American Culture | 第19-25页 |
| Ⅱ. Religious Writing: A Thematic Tradition of African-American Literature | 第25-29页 |
| Ⅲ. James Baldwin’s Exploration in Religion | 第29-36页 |
| Ⅳ. Literary Review on Go Tell It on the Mountain | 第36-42页 |
| Chapter Two Religious Allusions and Symbolism | 第42-58页 |
| Ⅰ. Interpretation of Go Tell It on the Mountain | 第42-47页 |
| Ⅱ. Multiple Allusions to Fathers and Sons | 第47-52页 |
| Ⅲ. Dust, Dirt and Color | 第52-55页 |
| Ⅳ. “The Seventh Day”and Baptism Ritual | 第55-58页 |
| Chapter Three Seeking Identity in the Framework of Religion | 第58-84页 |
| Ⅰ. Gabriel Grimes’Religious Crisis | 第59-64页 |
| Ⅱ. Women Victims under Christian God | 第64-74页 |
| Ⅲ. John Grimes’Painful Conversion to Christianity | 第74-78页 |
| Ⅳ. Inheritance of Conception of Sin in Black Community | 第78-84页 |
| Chapter Four Discordant Narratives, Cognitive Ambivalence and Fragmented Identities | 第84-103页 |
| Ⅰ. Discordant Narratives | 第84-86页 |
| Ⅱ. Layers of Cognitive Ambivalence | 第86-89页 |
| Ⅲ. Multiple Layers of Identity | 第89-100页 |
| Ⅳ.Church or Theatre | 第100-103页 |
| Conclusion | 第103-107页 |
| Works Cited | 第107-112页 |
| Acknowledgements | 第112-113页 |
