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戏剧《太阳下的一粒葡萄干》的言语行为分析

Abstract in EngLish第7-9页
Abstract in Chinese第10-13页
Introduction第13-17页
Chapter One Literature Review第17-29页
    1.1 Style and Stylistics第17-18页
    1.2 Stylistic Analysis of Drama第18-26页
        1.2.1 The Importance of Stylistic Analysis of Drama第18-22页
            1.2.1.1 Drama as a Literary Genre第19-20页
            1.2.1.2 The Status of Drama in Stylistic Analysis第20-22页
        1.2.2 The Importance of Dialogues in Stylistic Analysis of Drama第22-24页
        1.2.3 The Development of Stylistic Analysis of Drama第24-25页
        1.2.4 Examples of the Previous Stylistic Study of Plays第25-26页
    1.3 The Trouble with Stylistics第26-27页
    1.4 Pragmastylistics as an Interdisciplinary Approach第27-29页
Chapter Two Speech Act Theory第29-39页
    2.1 John L.Austin:Initiation of Speech Act Theory第29-33页
        2.1.1 Performative Hypothesis第30页
        2.1.2 The Crudest Form of Speech Act Theory第30-32页
        2.1.3 Austin's Classification of Illocutionary Acts第32-33页
    2.2 John Searle: Systematization of Speech Act Theory第33-39页
        2.2.1 The Improvement of Speech Act Theory第34-35页
        2.2.2 Searle's Classification of Illocutionary Acts第35-36页
        2.2.3 Indirect Speech Acts第36-37页
        2.2.4 Searle's Philosophy of Mind第37-39页
Chapter Three Research Methodology第39-43页
    3.1 Speech Act Theory and Drama Analysis第39-41页
    3.2 Research Objectives第41页
    3.3 Research Procedure第41-43页
Chapter Four Speech Acts in A Raisin in the Sun第43-79页
    4.1 Lorraine Hansberry and Her Play A Raisin in the Sun第43-48页
        4.1.1 Lorraine Hansberry第43-44页
        4.1.2 Introduction to A Raisin in the Sun第44-48页
    4.2 Macro-speech Acts Used in the Play第48-57页
        4.2.1 Realization of the American Dream第49-54页
            4.2.1.1 Mama's Dream第50-51页
            4.2.1.2 Walter's Dream第51-52页
            4.2.1.3 Ruth's Dream第52-53页
            4.2.1.4 Beneatha's Dream第53-54页
        4.2.2 Racial Confrontation第54-56页
        4.2.3 Money and Pride第56-57页
    4.3 Micro-speech Acts Used in the Play第57-77页
        4.3.1 Micro-speech Acts in Act Ⅰ第58-64页
        4.3.2 Micro-speech Acts in Act Ⅱ第64-70页
        4.3.3 Micro-speech Acts in Act Ⅲ第70-72页
        4.3.4 Indirect Speech Acts in the Play第72-77页
    4.4 Summary第77-79页
Chapter Five Implications第79-81页
    5.1 Theoretical Implications第79-80页
    5.2 Practical Implications第80-81页
        5.2.1 Pedagogical Implications第80页
        5.2.2 Drama Criticism第80-81页
Conclusion第81-85页
Bibliography第85-89页
Acknowledgements第89-90页
学位论文评阅及答辩情况表第90页

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