| Acknowledgements | 第3-4页 |
| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Introduction | 第8-18页 |
| A. Introduction to Edith Wharton and Her Works | 第8-9页 |
| B. Literature Review | 第9-13页 |
| C. Theoretical Framework | 第13-16页 |
| D. Argument and Structure of the Thesis | 第16-18页 |
| Chapter 1 Public Space:From Being Silenced to Voicing herself | 第18-26页 |
| A. The Music Academy | 第19-23页 |
| B. The Metropolitan Museum of Art | 第23-26页 |
| Chapter 2 Domestic Space:From Being Inscribed to Rewriting Space | 第26-39页 |
| A. The van der Ludyen's Mansion | 第27-31页 |
| B. Ellen's Apartment | 第31-35页 |
| C. Other Domestic Spaces | 第35-39页 |
| Chapter 3 Bodily Space:Body as a Tool for Self-Realization | 第39-47页 |
| A. Clothing as Confinement and Resistance | 第40-43页 |
| B. Body Movement as a Way of Self-Assertion | 第43-47页 |
| Conclusion | 第47-50页 |
| Works Cited | 第50-53页 |
