| 摘要 | 第3-5页 |
| Abstract | 第5-7页 |
| Chapter 1 Introduction | 第10-31页 |
| 1.1 Hilary Mantel and her Works | 第10-13页 |
| 1.2 Literature Review | 第13-20页 |
| 1.3 An Overview of Historical Theories | 第20-28页 |
| 1.3.1 George Elton and The Tudor Revolution in Government | 第20-25页 |
| 1.3.2 Stephen Greenblatt and the Concept of "Counterhistory" | 第25-28页 |
| 1.4 Structure of the Thesis | 第28-31页 |
| Chapter 2 Mantel's Reconstruction of Historical Stereotypes by Anecdotes | 第31-43页 |
| 2.1 Thomas Cromwell as an Intellectual Renaissance Man | 第31-36页 |
| 2.2 Henry Ⅷ as an Admirable King | 第36-39页 |
| 2.3 Anne Boleyn as a Pitiful Victim | 第39-43页 |
| Chapter 3:Mantel's Reconstruction of Major Historical Events | 第43-55页 |
| 3.1 The "True" Picture of Thomas More's Death | 第43-45页 |
| 3.2 The "True" Process of Anne Boleyn's Downfall | 第45-50页 |
| 3.3 The "True" Reason of Jane Seymour's Uprising | 第50-55页 |
| Chapter 4:Mantel's Construction of Petty Narrative | 第55-70页 |
| 4.1 Petty Figure Thomas Cromwell as the Narrator | 第56-63页 |
| 4.1.1 Emotional Historical Perception from the Third-person Limited Point of View | 第57-60页 |
| 4.1.2 Multiple Interpretations of History from the Implied Author | 第60-63页 |
| 4.2 "Touch the Real"by Non-linear Narrative | 第63-70页 |
| 4.2.1 "True" Historical Moments Revealed by Analepses and Prolepses | 第63-66页 |
| 4.2.2 "True" Historical Scenes Revealed by Displacement of Mental and Physical Places | 第66-70页 |
| Chapter 5 Conclusion | 第70-72页 |
| References | 第72-77页 |
| Acknowledgements | 第77-78页 |
