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叙事伦理学视角下《赎罪》的解读

摘要第6-7页
abstract第7-8页
Introduction第9-19页
    0.1 A Brief Introduction of Ian McEwan and Atonement第9-13页
    0.2 Literature Review第13-17页
        0.2.1 Research Abroad第13-15页
        0.2.2 Domestic Research第15-17页
    0.3 Thesis Statement第17-19页
Chapter One Theoretical Foundation第19-25页
    1.1 The Origin and Development of Narrative Ethics第19-21页
    1.2 Distinctive Features of Narrative Ethics第21-25页
        1.2.1 Ethics of Narrative Story第21-22页
        1.2.2 Ethics of Narrative Discourse第22-23页
        1.2.3 Hermeneutic Ethics第23-25页
Chapter Two Ethics of Narrative Story in Atonement第25-40页
    2.1 Family Ethics第25-31页
        2.1.1 Absence of Father第25-29页
        2.1.2 The Fragmentation of Family Relationships第29-31页
    2.2 Ethical Dilemmas第31-40页
        2.2.1 Briony’s Redemption第32-35页
        2.2.2 Robbie’s Choices第35-40页
Chapter Three Ethics of Narrative Discourse in Atonement第40-53页
    3.1 Ethical Implication of Different Focalization第40-46页
        3.1.1 Multiple Focalization in Tallis第40-43页
        3.1.2 Variable Focalization in War第43-46页
    3.2 Ethical Performance of Intertextuality第46-53页
        3.2.1 Intertexts in Atonement第46-48页
        3.2.2 Parody第48-53页
Chapter Four Hermeneutic Ethics in Atonement第53-67页
    4.1 Ethical Intervention of Unreliable Narration第53-61页
        4.1.1 The Unreliable Narrator Briony第53-56页
        4.1.2 The Real Author McEwan第56-61页
    4.2 Ethical Orientation of Readers’ Participation第61-67页
        4.2.1 Puzzle in the Plots第61-64页
        4.2.2 Moral Judgment Obscured第64-67页
Conclusion第67-69页
Bibliography第69-72页
攻读硕士期间所发表的学术论文第72-74页
Acknowledgements第74页

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