| ACKNOWLEDGEMENTS | 第1-5页 |
| Abstract in Chinese | 第5-6页 |
| Abstract in English | 第6-8页 |
| ChapterⅠ Introduction | 第8-16页 |
| ·Don DeLillo and his novels | 第8-12页 |
| ·A survey of criticism of DeLillo | 第12-14页 |
| ·Significance of the Present Research | 第14-16页 |
| ChapterⅡSymbolic Violence and Postmodern Cultural Crisis | 第16-23页 |
| ·Symbolic Violence and Postmodern | 第16-19页 |
| ·Symbolic Violence and Postmodern Cultural Crisis in DeLillo’s Novels | 第19-23页 |
| Chapter Ⅲ Symbolic Violence in DeLillo’s Three Novels | 第23-47页 |
| ·Background: “Cinematic and Consumer”Images | 第24-35页 |
| ·The TV Network and the Commercial | 第24-26页 |
| ·Rock Music and the Drug | 第26-30页 |
| ·The Mass Wedding and the Photograph | 第30-35页 |
| ·Character: the Seeker and the Loser | 第35-45页 |
| ·David Bell: the Nightmare of the Dreamer | 第35-38页 |
| ·Bucky Wunderlick: the Voiceless-ness of the Rock Star | 第38-41页 |
| ·Bill Gray: the Death of the Writer | 第41-45页 |
| ·Theme: Manipulation of Mass Media and Symbolic Violence | 第45-47页 |
| Chapter Ⅳ DeLillo’s Reflections on American Postmodern Mass Media and Culture | 第47-56页 |
| ·DeLillo’s Reflections on American Postmodern Mass Media | 第47-52页 |
| ·Collusion between Symbolic Violence and Symbolic Capital | 第48-49页 |
| ·Conspiracy between Symbolic Violence and Symbolic Hegemony | 第49-52页 |
| ·DeLillo’s obsession with American Postmodern Cultural Crisis | 第52-56页 |
| ·The Chaos of the Masses | 第53-54页 |
| ·The Eclipse of the Intellectual | 第54-56页 |
| ChapterⅤConclusion | 第56-59页 |
| Bibliography | 第59-62页 |
| Webography | 第62-63页 |
| 读硕期间发表的论文目录 | 第63-65页 |
