Acknowledgements | 第1-6页 |
Abstract | 第6-7页 |
摘要 | 第7-10页 |
Introduction | 第10-13页 |
Chapter 1 Incest Motif: The Tradition Starting from the Greek Mythology | 第13-19页 |
·The Heritage of Greek Mythology | 第13-16页 |
·The Mythical Correspondences in Mourning Becomes Electra | 第16-17页 |
·Greek Mythology Evolvement by Eugene O’Neill | 第17-19页 |
Chapter 2 A Survey of Psychoaesthetics and Burke’s Theory | 第19-24页 |
·Introduction to the Psychoaesthetics | 第19-20页 |
·The Birth and Development of the Psychoaesthetics | 第19-20页 |
·The Research Objects and Category of the Psychoaesthetics | 第20页 |
·Burke’s Differentiation from the Sublime and Beautiful | 第20-22页 |
·Psychoaesthetics’Coherence with Burke’s Aesthetic Theory | 第22页 |
·Consolidating the Aesthetics’Position by Burke’s Theory | 第22-24页 |
Chapter 3 Characters’Incestuous Desire in Mourning Becomes Electra | 第24-39页 |
·Lavinia’s Electra Complex | 第25-30页 |
·Brant--- Farther Reflection of Lavinia’s Electra Complex | 第28-30页 |
·Orin and Christine: Obvious Embodiment of Incestuous Desire | 第30-35页 |
·Christine’s Attachment to Orin | 第30-32页 |
·Orin’s Attachment to Christine | 第32-35页 |
·Orin and Lavinia: the Sibling Incest Desire | 第35-39页 |
Chapter 4 Aesthetic Significance of Incest Motif in Mourning Becomes Electra | 第39-54页 |
·The Qualities of the Sublime for Burke | 第39-42页 |
·Terror | 第40-41页 |
·Obscurity | 第41-42页 |
·The Sublime of the Incest Motif in Mourning Becomes Electra | 第42-46页 |
·Terror in the Incest Motif | 第42-44页 |
·Obscurity in the Incest Motif | 第44-46页 |
·New Understanding of Burke’s Beautiful | 第46-49页 |
·The Qualities of the Beautiful for Burke | 第46-47页 |
·The Sympathy and Beautiful | 第47-49页 |
·The Beautiful of the Incest Motif in Mourning Becomes Electra | 第49-51页 |
·The Dual Character of the Incest Motif in Mourning Becomes Electra | 第51-52页 |
·Incest Motif: the Inner Workings of the Human Spirit | 第52-54页 |
Conclusion | 第54-56页 |
Notes | 第56-57页 |
Bibliography | 第57-59页 |
发表论文和科研情况说明 | 第59-60页 |