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ÕªÒª	µÚ5-6Ò³
Abstract	µÚ6Ò³
Chapter 1 Introduction	µÚ9-12Ò³
1.1 Research Background and Significance	µÚ9-10Ò³
1.2 Research Questions	µÚ10Ò³
1.3 Research Method and Data Collection	µÚ10-11Ò³
1.4 Organization of the Thesis	µÚ11-12Ò³
Chapter 2 An Overview of the Knowledge of The Book of Songs	µÚ12-15Ò³
2.1 General Knowledge of The Book of Songs	µÚ12-13Ò³
2.2 Studies on The Book of Songs¦from the Traditional Literary Criticism View	µÚ13-14Ò³
2.2.1 Previous Studies	µÚ13Ò³
2.2.2 Discussion	µÚ13-14Ò³
2.3 Studies on The Book of Songs from the Cognitive linguistics View	µÚ14-15Ò³
Chapter 3 Theoretical Framework	µÚ15-24Ò³
3.1 Conceptual Metaphor Theory	µÚ15-20Ò³
3.1.1 Introduction	µÚ15-16Ò³
3.1.2 The Essence of Conceptual Metaphor	µÚ16-17Ò³
3.1.3 The Inner Structure of Conceptual Metaphor	µÚ17-18Ò³
3.1.4 Types of Conceptual Metaphor	µÚ18-19Ò³
3.1.5 Literature and Conceptual Metaphor	µÚ19-20Ò³
3.2 Iconicity Theory	µÚ20-22Ò³
3.2.1 Introduction	µÚ20-21Ò³
3.2.2 Classification of Iconicity	µÚ21-22Ò³
3.3 Script Theory	µÚ22-24Ò³
3.3.1 Introduction	µÚ22-23Ò³
3.3.2 Types of Script	µÚ23Ò³
3.3.3 Working Mechanism	µÚ23-24Ò³
Chapter 4 Cognitive Analysis in The Book of Songs	µÚ24-57Ò³
4.1 Conceptual Metaphor of Imagery in The Book of Songs	µÚ24-36Ò³
4.1.1 The Plant Metaphor	µÚ24-28Ò³
4.1.2 The Water Metaphor	µÚ28-33Ò³
4.1.3 The Animal Metaphor	µÚ33-35Ò³
4.1.4 Summary	µÚ35-36Ò³
4.2 Iconicity between Imagery and structuring in The Book of Songs	µÚ36-47Ò³
4.2.1 Onomatopoetic Iconicity	µÚ36-39Ò³
4.2.2 Sequence Iconicity	µÚ39-41Ò³
4.2.3 Quantity Iconicity	µÚ41-44Ò³
4.2.4 Symmetry Iconicity	µÚ44-47Ò³
4.2.5 Summary	µÚ47Ò³
4.3 Scripts of Imagery in The Book of Songs	µÚ47-57Ò³
4.3.1 Love Script	µÚ48-50Ò³
4.3.2 Sacrifice Script	µÚ50-52Ò³
4.3.3 War and Corvee Script	µÚ52-54Ò³
4.3.4 Summary	µÚ54-57Ò³
Conclusion	µÚ57-60Ò³
References	µÚ60-64Ò³
Appendix A ¹¥¶Á˶ʿÆÚ¼äËù·¢±íµÄѧÊõÂÛÎÄĿ¼	µÚ64-65Ò³
Appendix B ÏêϸÖÐÎÄÕªÒª	µÚ65-68Ò³
Acknowledgement	µÚ68Ò³