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从格雷马斯的理论解读《鬼屋传奇》

摘要第4-5页
Abstract第5-6页
Introduction第9-17页
Chapter One Greimas’s Modèle Actantiel to Express Surface Structure of This Novel第17-31页
    1.1 Six Actants in Greimas’s Modèle Actantiel第17-23页
    1.2 Modèle Actantiel of this Novel第23-31页
Chapter Two The Foundation of Semiotic Square in this Novel第31-39页
    2.1 Four Semes and Binary Opposition in Semiotic Square第31-36页
    2.2 Analysis of the Process of Establishing Semiotic Square in this Novel第36-39页
Chapter Three Deep Themes through Detailed Interpretation of the Semiotic Square in the Novel第39-62页
    3.1 Relationship between Eleanor and the Hill House第39-45页
        3.1.1 Binary Opposition between Eleanor and Hill House第39-44页
        3.1.2 Semiotic Square between the Two and Deep Themes第44-45页
    3.2 Relationship between Theodora and Dr. Montague第45-49页
        3.2.1 Binary Opposition between Theodora and Dr. Montague第46-47页
        3.2.2 Semiotic Square between the Two and Deep Themes第47-49页
    3.3 Relationship between Eleanor and Dr. Montague第49-52页
        3.3.1 Binary Opposition between Eleanor and Dr. Montague第49-50页
        3.3.2 Semiotic Square between the Two and Deep Themes第50-52页
    3.4 Relationship between Theodora and the Hill House第52-55页
        3.4.1 Binary Opposition between Theodora and Hill House第53页
        3.4.2 Semiotic Square between the Two and Deep Themes第53-55页
    3.5 Relationship between Eleanor and Theodora第55-59页
        3.5.1 Binary Opposition between Eleanor and Theodora第56-57页
        3.5.2 Semiotic Square between the Two and Deep Themes第57-59页
    3.6 Relationship between Dr. Montague and Hill House第59-62页
        3.6.1 Binary Opposition between Dr. Montague and Hill House第59-60页
        3.6.2 Semiotic Square between the Two and Deep Themes第60-62页
Conclusion第62-64页
Acknowledgments第64-65页
Bibliography第65-67页

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