| Acknowledgments | 第5-6页 |
| 摘要 | 第6-8页 |
| Abstract | 第8-9页 |
| Chapter One Introduction | 第11-21页 |
| 1.1 Kim Scott and His Major Works | 第11-14页 |
| 1.2 Literature Review | 第14-18页 |
| 1.3 Postcolonialism and Critical Whiteness Studies | 第18-20页 |
| 1.4 The Layout of the Thesis | 第20-21页 |
| Chapter Two The Colonized Reserve in True Country | 第21-33页 |
| 2.1 Noongar Sufferings in the Colonized Reserve | 第23-27页 |
| 2.2 Displacement in the Aboriginal Community | 第27-33页 |
| Chapter Three The Hopeless Quest in Benang: From the Heart | 第33-43页 |
| 3.1 The Engineering of Whiteness | 第34-38页 |
| 3.2 The Quest for Aboriginality | 第38-43页 |
| Chapter Four The Doomed Dance in That Deadman Dance | 第43-51页 |
| 4.1 The Deprivation of Indigenous Sovereignty | 第44-47页 |
| 4.2 The Loss of Indigenous Identity | 第47-51页 |
| Chapter Five Conclusion | 第51-56页 |
| Bibliography | 第56-60页 |
