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双性之歌 和谐之美--《女勇士》中汤婷婷的双性同体观分析

摘要第5-6页
Abstract第6-7页
Contents第8-10页
Chapter 1 Introduction第10-18页
    1.1 Research background第10-15页
    1.2 Research objectives第15-16页
    1.3 Research structure第16-18页
Chapter 2 Literature Review第18-26页
    2.1 Literature review of the androgyny theory第18-19页
    2.2 Literature review of The Woman Warrior第19-26页
Chapter 3 Theoretical Foundation第26-38页
    3.1 Developing history of androgyny theory第26-29页
    3.2 Virginia Woolf’s androgyny theory第29-36页
    3.3 Bem’s Sex Role Inventory第36-38页
Chapter 4 An Analysis of the Five Female Characters in The Woman Warrior第38-52页
    4.1 No Name Woman: A woman as responsible as a man第38-41页
    4.2 Fa Mulan: A woman as powerful as a man第41-43页
    4.3 Brave Orchid: A woman as self-reliant as a man第43-46页
    4.4 Moon Orchid: A woman as coward as Chinese traditional women第46-48页
    4.5 Maxine Hong Kingston: A woman as strong as a woman warrior第48-52页
Chapter 5 Maxine Hong Kingston’s Androgynous Viewpoints第52-72页
    5.1 Maxine Hong Kingston’s androgynous viewpoint on different genders第52-58页
    5.2 Maxine Hong Kingston’s androgynous viewpoint on different races第58-63页
    5.3 Maxine Hong Kingston’s androgynous viewpoint on different cultures第63-72页
Chapter 6 Conclusion第72-76页
    6.1 Major findings第72-73页
    6.2 The limitations第73页
    6.3 The suggestions for the further study第73-76页
References第76-82页
Appendix第82-84页
Acknowledgements第84-86页
作者简介第86页

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