| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Chapter 1 Introduction | 第9-13页 |
| 1.1 Research Background | 第9-11页 |
| 1.2 Research Significance | 第11页 |
| 1.3 Organization of the Thesis | 第11-13页 |
| Chapter 2 Literature Review | 第13-20页 |
| 2.1 Cognitive Poetics | 第13-15页 |
| 2.2 Mapping Theory | 第15-17页 |
| 2.3 Image and Artistic Conception | 第17-18页 |
| 2.4 Nalan Poetry | 第18-20页 |
| Chapter 3 Projection Mappings in Realization of Artistic Conception | 第20-29页 |
| 3.1 Projection of One Domain onto Another | 第20-21页 |
| 3.2 Conventional Metaphors in Classical Chinese Poetry | 第21-24页 |
| 3.2.1 Typical Image Mappings of Conventional Metaphors in Classical Chinese Literature | 第22页 |
| 3.2.2 Image Mappings of Conventional Metaphors in Nalan Poetry to Realize ArtisticConception | 第22-24页 |
| 3.3 Creative Metaphors | 第24-29页 |
| 3.3.1 Reason of Creating Metaphors in Nalan Xingde’s Poems | 第25-26页 |
| 3.3.2 Relation between Images and Life Experience of the Poet | 第26-29页 |
| Chapter 4 Pragmatic Function Mappings in Realization of Artistic Conception | 第29-37页 |
| 4.1 Mappings in the Same Domain | 第29-30页 |
| 4.2 Metonymic Mappings | 第30-33页 |
| 4.2.1 Mapping Process of Metonymy | 第31-32页 |
| 4.2.2 Metonymy in Nalan Poetry | 第32-33页 |
| 4.3 Synecdoche Mappings | 第33-37页 |
| 4.3.1 Mapping Process of Synecdoche | 第34-35页 |
| 4.3.2 Synecdoche in Nalan Poetry | 第35-37页 |
| Chapter 5 Schematic Mappings in Realization of Artistic Conception | 第37-45页 |
| 5.1 Schematic mapping and Typical Schemas in Classical Chinese Poetry | 第38-39页 |
| 5.2 Schematic Mappings in Nalan Poetry | 第39-45页 |
| 5.2.1 Path Schematic Mappings | 第39-41页 |
| 5.2.2 Container Schematic Mappings | 第41-42页 |
| 5.2.3 Other Schematic Mappings | 第42-45页 |
| Chapter 6 Conclusion | 第45-47页 |
| Acknowledgements | 第47-48页 |
| Bibliography | 第48-50页 |
