| ACKNOWLEDGEMENTS | 第1-7页 |
| Abstract | 第7-9页 |
| 摘要 | 第9-13页 |
| Chapter One Introduction | 第13-18页 |
| ·Shakespeare's Time and His Plays' Language | 第13-14页 |
| ·The Historical Review of King Lear | 第14-18页 |
| Chapter Two Theoretical Basis | 第18-23页 |
| ·Dialogism | 第19页 |
| ·Polyphonic Novel Theory | 第19-21页 |
| ·Carnival of Poetry | 第21-23页 |
| Chapter Three The Synchronic “Dialogue” with Double-discouse | 第23-34页 |
| ·Self (or Ego) Fighting against “Other” | 第23-29页 |
| ·The Argument of Self (or Ego) with Another Self (or Ego) | 第29-31页 |
| ·Dialogic “Counterpoint” Structure | 第31-34页 |
| Chapter Four The Characters' Polyphonic Consciousnesses | 第34-45页 |
| ·The Heroes' Heteroglossia (or Various Voices) | 第34-42页 |
| ·The “Expressing Their Own Views” of the Author - Hero - Audience (Readers) | 第42-45页 |
| Chapter Five The Polyphonic Dialogue in Carnival Chronotope (or Time-Space) | 第45-54页 |
| ·The Carnival Overturn of “Coronation” and “De-crowning” | 第45-49页 |
| ·Language of Solemn and Banter in the Carnival Square | 第49-51页 |
| ·The Alteration of Death and Rebirth | 第51-54页 |
| Chapter Six Conclusion | 第54-56页 |
| Works Cited | 第56-60页 |
| AppendixⅠ | 第60-62页 |
