摘要 | 第7-8页 |
abstract | 第8-9页 |
Introduction | 第10-17页 |
0.1 A Brief Introduction of Angela Carter and The Magic Toyshop | 第10-13页 |
0.2 Literature Review | 第13-15页 |
0.3 Thesis Statement | 第15-17页 |
Chapter One Theoretical Foundation | 第17-26页 |
1.1 The Origin and Development of Female Gothic Novel | 第17-20页 |
1.2 The Features of Female Gothic Novel | 第20-23页 |
1.3 Gothic Feminism in Literary Criticism | 第23-26页 |
Chapter Two The Female Gothic Environmental Elements in The Magic Toyshop | 第26-43页 |
2.1 Gothic Setting and Images | 第26-36页 |
2.1.1 The Toy Shop: the Confined Space of Heroines | 第26-30页 |
2.1.2 The Necklace and the Puppet: the Symbol of Enslavement and Constraint to Female | 第30-33页 |
2.1.3 The Broken Wedding Dress: the Indication of Female Miserable Fate | 第33-36页 |
2.2 The Supernatural Elements | 第36-43页 |
2.2.1 The Illusion: Heroine’s Inner Fear | 第36-40页 |
2.2.2 The Dream: the Anxiety of Heroine Self-Identity | 第40-43页 |
Chapter Three The Female Gothic Characters in The Magic Toyshop | 第43-55页 |
3.1 The Female Gothic Heroines | 第43-49页 |
3.1.1 Aunt Margaret: the Obedient Victim | 第43-46页 |
3.1.2 Melanie: the Imprisoned Angle | 第46-49页 |
3.2 The Female Gothic Male Characters | 第49-55页 |
3.2.1 Uncle Philip: the Bluebeard | 第49-52页 |
3.2.2 Jonathon: the Patriarchal Inheritor | 第52-55页 |
Chapter Four The Reflection of Female Gothic Theme in The Magic Toyshop | 第55-66页 |
4.1 Awakening of Female Consciousness | 第55-60页 |
4.1.1 The Body Exploration: the Burgeon of Female Consciousness | 第55-58页 |
4.1.2 The Gaze Back: the Protection of Melanie’s Subjectivity | 第58-60页 |
4.2 Resistance against Oppression | 第60-66页 |
4.2.1 Aunt Margaret: the Fight against Uncle Philip in Fire | 第60-63页 |
4.2.2 Melanie: the Escape from the Toyshop | 第63-66页 |
Conclusion | 第66-67页 |
Bibliography | 第67-70页 |
攻读硕士期间发表的学术论文 | 第70-72页 |
Acknowledgements | 第72页 |