| 摘要 | 第4-6页 |
| Abstract | 第6-7页 |
| Introduction | 第10-17页 |
| I. Narrative Perspectives: A Tendency towards Multiplicity | 第17-32页 |
| A. Transformation of Focalization from Internal Focalization to External Focalization | 第19-26页 |
| 1. The Internal Focalization Employed in“Boys and Girls”and “The Shining Houses” | 第19-22页 |
| 2. The External Focalization Employed in“Free Radicals” | 第22-24页 |
| 3. Deepening of Connotation | 第24-26页 |
| B. The Increment of Alterations of Focalization | 第26-32页 |
| 1. Relatively Unvaried Focalization in“Boys and Girls” | 第26-28页 |
| 2. Alterations of Focalization in“Free Radicals”and“Wenlock Edge” | 第28-31页 |
| 3. Development of Structural Aesthetics | 第31-32页 |
| II. Narrative Voices: A Tendency towards Implicitness | 第32-47页 |
| A. Weakening of Narrative Voices | 第35-42页 |
| 1. The Strong Narrative Voice and the Intervening Narrator in“The Office” | 第35-37页 |
| 2. The Weak Narrative Voice and the Objective Narrator in “Deep-Holes” | 第37-39页 |
| 3. Strengthening of Objectivity, Authenticity and Creditability | 第39-42页 |
| B. The Concealment of Author's Authority behind Narrative Voices | 第42-47页 |
| 1. The Personal Voice in“The Office” | 第42-43页 |
| 2. The Authorial Voice in“Deep-Holes” | 第43-45页 |
| 3. Increases of Implicitness | 第45-47页 |
| III. Narrative Time: A Tendency towards Complexity | 第47-65页 |
| A. Increases of Anachronies on the Level of Temporal Order | 第50-57页 |
| 1. The Single Timeline and the Anachronies in“Red Dress--1946” | 第50-52页 |
| 2. Four Timelines and the Anachronies in“Dimensions” | 第52-55页 |
| 3. Increments of Expressiveness | 第55-57页 |
| B. Advances of Narrative Rhythm on the Level of Temporal Duration | 第57-65页 |
| 1. Mild Narrative Rhythm in“Red Dress---1946” | 第58-60页 |
| 2. Undulate Narrative Rhythm in“Dimensions” | 第60-61页 |
| 3. Enhancement of Rhythmical Beauty and Dramatic Effects | 第61-65页 |
| Conclusion | 第65-69页 |
| Works Cited | 第69-73页 |
| Acknowledgements | 第73-74页 |
| Paper Published during Study | 第74-75页 |
