| ABSTRACT | 第3-4页 |
| 摘要 | 第5-7页 |
| INTRODUCTION | 第7-15页 |
| CHAPTER ONE THE DIVERSE DRAMATIC STRUCTURES | 第15-27页 |
| Ⅰ.The Inheritance of Brechtian Dramatic Structures | 第15-21页 |
| A.Epic theatre structure | 第16-19页 |
| B.Play within a play | 第19-21页 |
| Ⅱ.The Adoption of Modern Dramatic Structures | 第21-27页 |
| A.Open ending | 第21-23页 |
| B.Circular pattern | 第23-27页 |
| CHAPTER TWO THE INNOVATIVE ROLE-CASTING | 第27-39页 |
| Ⅰ.Cross-casting in Gender and in Race | 第27-32页 |
| A.Cross-gender casting | 第28-30页 |
| B.Cross-racial casting | 第30-32页 |
| Ⅱ.Doubling of Roles | 第32-39页 |
| A.Role-doubling:one actor playing different roles | 第33-35页 |
| B.Role-swapping:one role rotated by different actors | 第35-39页 |
| CHAPTER THREE THE EXPERIMENTAL LANGUAGE FORMS | 第39-50页 |
| Ⅰ.The Innovation of Overlapping Dialogue | 第39-42页 |
| Ⅱ.The Insertion of Dances and Songs | 第42-46页 |
| Ⅲ.The Application of Rhymed Verse and Obscene Language | 第46-50页 |
| CONCLUSION | 第50-53页 |
| WORKS CITED | 第53-56页 |
| ACKNOWLEDGEMENTS | 第56-57页 |
