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《机缘》、《匆匆》、《沉寂》的叙事技巧及多重主题分析

Abstract第3页
摘要第4-7页
Chapter 1: An Introduction of Alice Munro and Runaway第7-16页
    1.1 An Introduction of Alice Munro’s Life Experience and Her Works第7-9页
    1.2 An Introduction of Chance, Soon, Silence;第9-10页
    1.3 Previous Research on Alice Munro at Home and Abroad第10-13页
        1.3.1 Previous Research on Munro’s Works Abroad第10-11页
        1.3.2 Previous Research on Munro’s Works at Home第11-13页
    1.4 The Structure of This Thesis第13-16页
Chapter 2 Narrative Time第16-24页
    2.1 Theories on Narrative Time第16-17页
    2.2 Flexible Narrative Mode in Chance第17-18页
    2.3 Narrative Rhythm: Pause, Scene and Summary第18-22页
    2.4 Ellipsis: Narrative Suspense第22-24页
Chapter 3 Focalization第24-38页
    3.1 Theories on Focalization第24-26页
    3.2 A Mixture of Focalization: Pursue Love and Free Herself第26-36页
        3.2.1 Zero Focalization第26-28页
        3.2.2 External Focalization第28-29页
        3.2.3 Internal Focalization第29-31页
        3.2.4 Epistolary Writing in Non-epistolary Novel第31-36页
    3.3 Juliet’s Choice from Others’ Perspectives第36-38页
Chapter 4 Multi-Theme in Juliet’s Life第38-44页
    4.1 The Theme of Emotion between Husband and Wife第38-40页
        4.1.1 Juliet and Eric’Tragic Ending第38-39页
        4.1.2 Sara and Sam’s Fadding Love第39-40页
    4.2 The Theme of Runaway第40-44页
        4.2.1 Runaway from Family第40-42页
        4.2.2 Runaway from Herself第42-44页
Conclusion第44-45页
Bibliography第45-48页
Publications第48-49页
Acknowledgements第49页

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