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潜于水下的冰山-《永别了,武器》中召唤结构的分析

摘要第6-7页
Abstract第7页
CHAPTER 1 INTRODUCTION第10-20页
    1.1 Research Background第10-11页
    1.2 A Brief Introduction to A Farewell to Arms and Iceberg Principle第11-14页
    1.3 Literature Review第14-17页
    1.4 Purpose and Methodology第17-18页
    1.5 Arrangement of the Thesis第18-20页
CHAPTER 2 WOLFGANG ISER'S RESPONSE-INVITING STRUCTURE AND JINYUANPU S CLASSIFICATION OF THE RESPONSE-INVITING STRUCTURE INLITERARY WORKS第20-28页
    2.1 A Brief Introduction to Iser's Response-inviting Structure第20-26页
        2.1.1 The Origin of Response-inviting Structure第20-22页
        2.1.2 The Development of Response-inviting Structure第22-24页
        2.1.3 Basic Concepts of Response-inviting Structure第24-26页
    2.2 Jin Yuanpu's Classification of the Response-inviting Structure in Literary Works第26-28页
CHAPTER 3 THE EMBODIMENT OF RESPONSE-INVITING STRUCTURE第28-33页
    3.1 Embodiment of Response-inviting Structure in Semanteme第28-29页
    3.2 Embodiment of Response-inviting Structure in Sentences Patterns第29-30页
    3.3 Embodiment of Response-inviting Structure in Structure第30-31页
    3.4 Embodiment of Response-inviting Structure in Artistic Conception第31-33页
CHAPTER 4 RESPONSE-INVITING STRUCTURE IN A FAREWELL TO ARMS第33-51页
    4.1 Response-inviting Structure of Semanteme第33-41页
        4.1.1 Employment of Symbolism第33-39页
            4.1.1.1 Snow and Rain第34-38页
            4.1.1.2 Plain and Mountain第38-39页
        4.1.2 Employment of Irony:In the Linguistic Level第39-41页
    4.2 Response-inviting Structure of Sentence Patterns第41-44页
    4.3 Response-inviting Structure of Structure第44-47页
        4.3.1 Employment of Plot Incoherence第44-46页
        4.3.3 Employment of Flashback第46-47页
    4.4 Response-inviting Structure of Artistic Conception第47-51页
CHAPTER 5 CONCLUSION第51-53页
    5.1 Major Findings of the Study第51-52页
    5.2 Weakness and Limitations of the Study第52-53页
ACKNOWLEDGEMENTS第53-54页
BIBLIOGRAPHY第54-58页
PUBLICATION WHILE REGISTERED WITH THE MA PROGRAM第58页

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