| ACKNOWLEDGEMENTS | 第1-5页 |
| ABSTRACT | 第5-7页 |
| 摘要 | 第7-9页 |
| CONTENTS | 第9-11页 |
| Chapter One INTRODUCTION | 第11-28页 |
| ·Culture and Films | 第11-14页 |
| ·An Introduction to Ang Lee and His Main Films | 第14-17页 |
| ·Literature Review | 第17-21页 |
| ·From the perspective of the film culture,style and cultural traditions | 第17-19页 |
| ·From the technical perspectives,such as the film shooting techniques and narrative strategies | 第19-21页 |
| ·Methodology and Other Theories | 第21-25页 |
| ·Said and Orientalism | 第21-23页 |
| ·Cultural hybriditization | 第23-25页 |
| ·Thesis Statement,Research Questions and Structure | 第25-28页 |
| Chapter Two IDENTITY-SEEKING | 第28-38页 |
| ·Identity-seeking Within the Visual Art | 第28-29页 |
| ·Analysis of Wedding Banquet | 第29-35页 |
| ·Situating the film Wedding Banquet | 第29-30页 |
| ·Identity-seeking seen in Wedding Banquet | 第30-33页 |
| ·Who is the"Other":Orient or Occident? | 第33-35页 |
| ·The Way Out | 第35-38页 |
| Chapter Three CULTURAL HYBRIDIZATION | 第38-49页 |
| ·Situating Ang Lee's Film Crouching Tiger,Hidden Dragon | 第38-39页 |
| ·Plot of Crouching Tiger,Hidden Dragon | 第39-40页 |
| ·Cultural Hybridization in Crouching Tiger,Hidden Dragon | 第40-49页 |
| ·Cultural hybridization in the narrative strategy | 第42-45页 |
| ·Cultural hybridization in the language | 第45-49页 |
| Chapter Four SUBVERSION | 第49-62页 |
| ·A General Review of Western Genre in Films | 第49-50页 |
| ·Situating Ang Lee's Film Brokeback Mountain and Its Plot | 第50-51页 |
| ·Subversion Seen in the Film | 第51-62页 |
| ·The traditional Western genre of America | 第51-53页 |
| ·Thematic subversion | 第53-57页 |
| ·Themes in the Western film | 第53-54页 |
| ·Theme of homosexuality in Brokeback Mountain | 第54-56页 |
| ·Theme of humanistic concern in Brokeback Mountain | 第56-57页 |
| ·Subversion in the narrative strategy | 第57-62页 |
| ·Subversion in the love between the main characters | 第58-59页 |
| ·Subversion in the aesthetic features | 第59-62页 |
| Chapter Five CONCLUSION | 第62-65页 |
| REFERENCES | 第65-68页 |
