| 摘要 | 第4-8页 |
| Abstract | 第8页 |
| Contents | 第8-9页 |
| Introduction | 第9-18页 |
| Chapter One The “Dirty” Features of the Language | 第18-30页 |
| 1.1 The Sparseness of the Sentences in “Fat” and “Mr. Coffee and Mr. Fixit” | 第18-23页 |
| 1.2 The Colloquial Languages of the Blue-collar Workers in “One MoreThing” and “Feathers” | 第23-26页 |
| 1.3 The Aimless Dialogues in “The Bath” and “What’s in Alaska?” | 第26-30页 |
| Chapter Two The “Dirty” Aspects of the Real Life—Themes inRaymond Carver’s Short Stories | 第30-41页 |
| 2.1 The Alcohol Problem in “Where I’m Calling From” | 第31-34页 |
| 2.2 The Unemployment in “Preservation” and “Vitamins” | 第34-37页 |
| 2.3 The Disharmonious Family in “Popular Mechanics” | 第37-41页 |
| Chapter Three The Narrative Features in Carver’s Dirty Realism | 第41-54页 |
| 3.1 The Limited Narrative Point of View and the Narrow Narrative Scene in“Neighbors” and “Preservation” | 第41-44页 |
| 3.2 The Incoherent Narrative Structure | 第44-51页 |
| 3.3 The Neutralized Narrative Tone in “So Much Water So Close to Home”and “Popular Mechanics” | 第51-54页 |
| Conclusion | 第54-56页 |
| Bibliography | 第56-62页 |
| Acknowledgements | 第62页 |
