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对汤亭亭的《女勇士》的女性主义叙事学解读

Abstract第3-4页
摘要第5-6页
Contents第6-8页
Chapter One Introduction第8-15页
    1.1 An Introduction to Maxine Hong Kingston第8-10页
        1.1.1 Life Experience第8页
        1.1.2 Works第8-10页
        1.1.3 Literary Achievements第10页
    1.2 An Introduction to The Woman Warrior第10-15页
        1.2.1 The Publication Story第11-12页
        1.2.2 The Arguments about Its Genre第12-13页
        1.2.3 Literary Review on the Studies of The Woman Warrior:第13-15页
Chapter Two Feminist Narratology第15-20页
    2.1 Developments of Feminist Narratology第15-18页
        2.1.1 An Introduction to Feminist Narratology第15-16页
        2.1.2 Existent Studies on Feminist Narratology第16-18页
    2.2 A Brief Introduction to Lanser’s Fictions of Authority: Women Writers and Narrative Voice第18-20页
        2.2.1 Significance第18页
        2.2.2 Three Narrative Modes: Personal, Authorial and Communal Narrative Voice第18-20页
Chapter Three Narrative Voice in The Woman Warrior第20-40页
    3.1 Feminist Narratology on Narrative Voice第20-21页
    3.2 Personal Voice in No Name Woman, White Tigers and Shanman第21-29页
        3.2.1 Personal Voice in No Name Woman第22-24页
        3.2.2 Personal Voice in White Tigers第24-26页
        3.2.3 Personal Voice in Shanman第26-29页
    3.3 Authorial Voice in At the Western Palace第29-33页
    3.4 Communal Voice in A Song for A Barbarian Reed Pipe第33-39页
    3.5 Summary第39-40页
Chapter Four Female Narrative in The Woman Warrior第40-48页
    4.1 Feminist Narratology on Female Narrative第40-41页
    4.2 Mother’s Talk-story第41-42页
    4.3 Daughter’s Retelling第42-45页
    4.4 Intertextual Interpretation第45-46页
    4.5 Summary第46-48页
Chapter Five Conclusion第48-50页
Bibliography第50-54页
Acknowledgements第54-56页
Publications第56页

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