| ACKNOWLEDGEMENTS | 第1-6页 |
| 中文摘要 | 第6-7页 |
| ABSTRACT | 第7-9页 |
| CONTENTS | 第9-10页 |
| 1. Introduction | 第10-20页 |
| ·Maxine Hong Kingston and her works | 第10-13页 |
| ·Literature review | 第13-16页 |
| ·Derrida's Deconstructionist theory | 第16-18页 |
| ·Focus and structure of the thesis | 第18-20页 |
| 2. Deconstruction of Male-Female Relationship in The Woman Warrior | 第20-32页 |
| ·Male oppression | 第20-23页 |
| ·A forgotten woman | 第20-22页 |
| ·An abandoned wife | 第22页 |
| ·A devalued girl | 第22-23页 |
| ·Gender integration | 第23-29页 |
| ·Adaptation of the legend Fa Mu Lan | 第23-26页 |
| ·A harmonious couple | 第26-28页 |
| ·Abrave mother | 第28-29页 |
| ·Kingston's hunting for a gender identity | 第29-32页 |
| 3. Deconstruction of Relationship between American and Chinese Cultures in TheWoman Warrior | 第32-44页 |
| ·Opposition between American and Chinese cultures | 第32-37页 |
| ·Racial discrimination against Chinese Americans | 第32-35页 |
| ·Clashes between two generations | 第35-37页 |
| ·Integration between American and Chinese cultures | 第37-42页 |
| ·The daughter's identification with her mother | 第37-39页 |
| ·Ts'ai Yen—A symbol of cultural integration | 第39-41页 |
| ·Chinese narrative in the American background | 第41-42页 |
| ·Kingston's hunting for a cultural identity | 第42-44页 |
| 4. Conclusion | 第44-46页 |
| Bibliography | 第46-48页 |
