| 摘要 | 第1-7页 |
| Abstract | 第7-11页 |
| 1 Introduction | 第11-19页 |
| ·The Objective and Aim | 第11-14页 |
| ·Literature Review | 第14-18页 |
| ·An Overview of the Thesis | 第18-19页 |
| 2 The Theory of Polyphony | 第19-28页 |
| ·Introduction to Mikhail Bakhtin’s Polyphony | 第19-21页 |
| ·The Features of Polyphony | 第21-26页 |
| ·Heteroglossia | 第21-23页 |
| ·Dialogism | 第23-26页 |
| ·Unfinalizability | 第26-28页 |
| 3 Polyphonic Features in The Sound and the Fury and Absalom, Absalom! | 第28-61页 |
| ·Heteroglossia in The Sound and the Fury and Absalom, Absalom! | 第29-49页 |
| ·The Four Voices in The Sound and the Fury | 第29-39页 |
| ·The Four Voices in Absalom, Absalom! | 第39-49页 |
| ·Dialogism in The Sound and the Fury and Absalom, Absalom! | 第49-61页 |
| ·Grand Dialog in The Sound and the Fury and Absalom, Absalom! | 第50-56页 |
| ·Micro Dialog in The Sound and the Fury and Absalom, Absalom! | 第56-61页 |
| 4 Unfinalizability of The Sound and the Fury and Absalom, Absalom! and Faulkner’s Artistic Intentions | 第61-70页 |
| ·Unfinalizability in The Sound and the Fury and Absalom, Absalom! | 第61-67页 |
| ·Faulkner’s Artistic Intentions | 第67-70页 |
| 5 Conclusion | 第70-74页 |
| ·A Summary of the Discussions | 第70-73页 |
| ·Limitations of this Study and Suggestions for Future Studies | 第73-74页 |
| Works Cited | 第74-76页 |
| Acknowledgments | 第76页 |
