| 摘要 | 第5-6页 |
| Abstract | 第6页 |
| Introduction | 第8-16页 |
| Chapter One About Three Great Theatrical Systems | 第16-23页 |
| 1.1 Stanislavsky System | 第16-18页 |
| 1.2 Brecht System | 第18-19页 |
| 1.3 Mei Lanfang System | 第19-20页 |
| 1.4 Three Great Theatrical Systems in America | 第20-23页 |
| Chapter Two The Application of Stanislavsky System in Our Town | 第23-34页 |
| 2.1 Constructions of the External Circumstances | 第23-28页 |
| 2.1.1 American History | 第23-25页 |
| 2.1.2 Social Reality | 第25-28页 |
| 2.2 Constructions of the Internal Circumstances | 第28-34页 |
| 2.2.1 American Values and Customs | 第28-30页 |
| 2.2.2 Human Relationships and Characters? Inner World | 第30-34页 |
| Chapter Three The Application of Brecht System in Our Town | 第34-42页 |
| 3.1 Alienation Effect Realized Through Structure | 第34-38页 |
| 3.1.1 Non-Aristotelian Plot Structure | 第34-36页 |
| 3.1.2 Non-linear Narrative Structure | 第36-38页 |
| 3.2 Alienation Effect Realized Through Characterization | 第38-42页 |
| 3.2.1 Stage Manager | 第38-40页 |
| 3.2.2 Ghost Characters | 第40-42页 |
| Chapter Four The Application of Mei Lanfang System in Our Town | 第42-55页 |
| 4.1 The Imaginative Stage Design and Acting | 第42-46页 |
| 4.1.1 Scenic Minimalism | 第43-45页 |
| 4.1.2 Imaginary Acting | 第45-46页 |
| 4.2 The Embodiment of Chinese Philosophical Thoughts | 第46-55页 |
| 4.2.1 Circularity of the Universe | 第47-51页 |
| 4.2.2 Unity of Man and Nature | 第51-55页 |
| Conclusion | 第55-58页 |
| Works Cited | 第58-61页 |
| Publication | 第61-62页 |
| Acknowledgements | 第62页 |
