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非洲题材小说中的边缘化书写--以《河湾》和《野草在歌唱》为例

Acknowledgements第4-5页
Abstract第5-6页
摘要第7-10页
Introduction第10-18页
Chapter One Formation of the Theme of Marginality in the Writings of the Two Writers第18-31页
    1.1 Marginality and Marginal Man第19-20页
    1.2 Multicultural Backgrounds and Marginal Life Experiences of the Writers第20-31页
        1.2.1 A Wanderer in the Colony第21-25页
        1.2.2 An Outsider in the Empire Center第25-27页
        1.2.3 The Nomad in the World第27-31页
Chapter Two Analysis of Main Marginalized Characters in the Works of the Two Writers第31-48页
    2.1 The Construction of Salim’s Diaspora Identity第31-37页
        2.1.1 Crisis of Cultural Identity第32-34页
        2.1.2 Seeking for Cultural Identity第34-37页
    2.2 Mary’s Marginal Survival in the Shadow of Colonialism第37-43页
        2.2.1 Mary’s Drifting Experience第38-40页
        2.2.2 Mary as a Gendered and Alienated “Other”第40-43页
    2.3 Moses’ Marginal Survival第43-48页
        2.3.1 Moses as a Racial “Other”第43-45页
        2.3.2 Moses’ Destiny第45-48页
Chapter Three Writing Strategies in Highlighting the Theme of Marginality第48-66页
    3.1 Setting the Background on Marginalized Africa第48-53页
    3.2 Examining, Deconstructing the Center from the Margin第53-58页
    3.3 Contradictory Writing第58-60页
    3.4 The Differences in Handling the Theme of Marginality第60-66页
        3.4.1 Different African Images in Their Writings第60-61页
        3.4.2 The Different Attitudes towards the Marginalized Africans第61-66页
Conclusion第66-68页
Works Cited第68-71页
Publication第71页

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