| Acknowledgements | 第5-6页 |
| Abstract | 第6-8页 |
| 内容摘要 | 第9-12页 |
| Introduction | 第12-28页 |
| 1. The New York School Poets:Frank O'Hara and John Ashbery | 第12-17页 |
| 2. The Avant-garde Art and Abstract Expressionism | 第17-20页 |
| 3. Literature Review | 第20-26页 |
| 4. Thesis Statement | 第26-28页 |
| Chapter One Painting Poems:Collaboration and Friendship Manifested in thePoetry | 第28-40页 |
| 1.1 Painting Poems:Relationship with Visual Art | 第29-33页 |
| 1.2 Painter Poems:Inspiration from Painters | 第33-40页 |
| Chapter Two Painting Techniques:Scattered Images,All-over Method andIrrational Creation | 第40-58页 |
| 2.1 Scattered Images:Collage and Juxtaposition | 第40-49页 |
| 2.2 All-over Method:Drip and Splash | 第49-54页 |
| 2.3 Irrational Creation:Decentering | 第54-58页 |
| Chapter Three Creating Concepts:Spontaneity,Openness andUnconsciousness | 第58-76页 |
| 3.1 Spontaneity:Automatic Writing | 第58-63页 |
| 3.2 Openness:Open Form | 第63-67页 |
| 3.3 Unconsciousness:Illusionary Realism | 第67-76页 |
| Conclusion | 第76-80页 |
| Works Cited | 第80-84页 |
| Appendix Ⅰ | 第84-92页 |
| Appendix Ⅱ | 第92-95页 |
