| Abstract | 第1-8页 |
| 摘要 | 第8-10页 |
| 1 Introduction | 第10-15页 |
| ·The Significance and Motivation of the Thesis | 第10-11页 |
| ·Social and Cultural Background. | 第11页 |
| ·Brief Introduction to Woolf's Novels | 第11-13页 |
| ·Literature Review of To the Lighthouse | 第13-15页 |
| 2 Theoretical Perspective | 第15-21页 |
| ·Theory on Modern Novel and Stream-of-Consciousness Novel | 第15-18页 |
| ·Woolf's Own Modern Fiction Theory | 第18-21页 |
| 3 The Presentational Techniques Employed in To the Lighthouse | 第21-60页 |
| ·The Use of Poetic Methods. | 第21-37页 |
| ·Images of Window, Minor and Canvas | 第21-26页 |
| ·Metaphors on Mrs. Ramsay and Mr. Ramsay for Two Distinctive Life Principles | 第26-32页 |
| ·Universal Symbol of the Lighthouse, Contextual Symbol of the Dinner Party and Lily's painting | 第32-37页 |
| ·The Use of Creative Vision of Post-Impressionist Painting Art | 第37-49页 |
| ·Several Key Facts Related to Post-Impressionist Painting Art | 第37-40页 |
| ·Distortion of Form of Lighthouse in the Eyes of Adults and Children | 第40-42页 |
| ·Multi-Perspective to Achieve the Stereoscopic Effect on the Ramsays | 第42-46页 |
| ·Structural Design as A Whole: Night and Day | 第46-49页 |
| ·The Use of Musical form | 第49-60页 |
| ·Tripartite Structure-Analogy with the Sonata Form | 第51-54页 |
| ·Leitmotif used as a Literature Device to Achieve Extra Level | 第54-57页 |
| ·Exquisite Language Fused into Rhythmical Beauty of Music | 第57-60页 |
| 4 Conclusion | 第60-63页 |
| Endnotes | 第63-65页 |
| References | 第65-68页 |
| Acknowledgements | 第68页 |
