| Chapter I Introduction | 第1-20页 |
| ·Situating John Fowles in the western literary world of the 1960s | 第10-14页 |
| ·John Fowles: an overview | 第14-16页 |
| ·The French Lieutenant's Woman: a critical review | 第16-18页 |
| ·Research questions and thesis statement | 第18-19页 |
| ·The structure of the thesis | 第19-20页 |
| Chapter II Theoretical Framework | 第20-27页 |
| ·Bakhtin and Kristeva: from dialogism to intertextuality | 第20-22页 |
| ·The Unbounded text: Barthes, Foucault and Derrida | 第22-24页 |
| ·Genette: a workable intertextuality | 第24-27页 |
| Chapter III Quotation and Allusion | 第27-35页 |
| ·Quotation | 第27-29页 |
| ·Allusion | 第29-35页 |
| ·The story of Adam and Eve: a new woman image | 第30-32页 |
| ·The riddle of the Sphinx: the woman of mystery | 第32-35页 |
| Chapter IV Pastiche and Parody | 第35-66页 |
| ·Pastiche of the 19th century canonical texts | 第35-56页 |
| ·Tess d'Urbervilles as an intertext | 第36-47页 |
| ·Parallel plot construction and character moulds | 第37-43页 |
| ·Similar scenes between FLW and Tess of d'Urbervilles | 第43-47页 |
| ·Vanity Fair as an intertext | 第47-50页 |
| ·Jane Eyre as an intertext | 第50-56页 |
| ·Parodying the omniscient narrator | 第56-66页 |
| ·The realist convention: the omniscient narrator | 第58-59页 |
| ·Imitation of the omniscient narrator | 第59-62页 |
| ·Parodic subversion of the omniscient narrator | 第62-66页 |
| Chapter V Conclusion | 第66-69页 |
| Works Cited | 第69-72页 |
