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必然的堕落—原型批评视角下克里斯托弗·马洛的悲剧研究

Abstract第4-5页
摘要第6-10页
Introduction第10-20页
Chapter One Archetypal Criticism and Marlowe's Tragedies第20-34页
    1.1 Development and Significance of Archetypal Criticism第20-29页
        1.1.1 Frazer and Ritual第21-23页
        1.1.2 Jung and the Collective Unconscious第23-25页
        1.1.3 Frye and Myth第25-29页
    1.2 Marlowe's Tragedies and the Archetype of Fall第29-34页
Chapter Two Phaethon Myth in Tamburlaine the Great第34-60页
    2.1 Phaethonesque Plot in Tamburlaine's Pursuit of Power第35-46页
    2.2 Tamburlaine's Phaethonesque Temperament and His Collapse第46-54页
    2.3 Phaethonesque Fatal Image—Chariot第54-60页
Chapter Three Midas Myth in The Jew of Malta第60-82页
    3.1 Midasian Plot in Barabas' Pursuit of Wealth第61-71页
    3.2 Barabas'Midasian Disposition and His Downfall第71-78页
    3.3 Midasian Fatal Image—Gold第78-82页
Chapter Four Icarus Myth in The Tragedy of Doctor Faustus第82-102页
    4.1 Icarian Plot in Faustus'Pursuit of Knowledge第82-91页
    4.2 Faustus'Icarian Nature and His Damnation第91-96页
    4.3 Icarian Fatal Image-Wings第96-102页
Conclusion第102-106页
Bibliography第106-112页
Publications第112-114页
Acknowledgements第114-116页

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