| Abstract | 第3-4页 |
| 摘要 | 第5-8页 |
| Chapter One Introduction | 第8-21页 |
| 1.1 Frank Chin and Gunga Din Highway | 第8-11页 |
| 1.1.1 The Background of Frank Chin | 第8-10页 |
| 1.1.2 Gunga Din Highway | 第10-11页 |
| 1.2 Literature Review | 第11-13页 |
| 1.3 Cultural Trauma Theory | 第13-19页 |
| 1.3.1 A Brief Introduction to Cultural Trauma | 第13-15页 |
| 1.3.2 The Causes, Representations and Working-Through Ways of CulturalTrauma | 第15-18页 |
| 1.3.3 Identity Related to Cultural Trauma | 第18-19页 |
| 1.4 Structure of the Thesis | 第19-21页 |
| Chapter Two Traumatic Gender Identity of Chinese American Men in Gunga Din Highway | 第21-30页 |
| 2.1 Cultural Trauma: Gender Identity Without Masculinity | 第21-22页 |
| 2.2 Traumatic Manifestation: Charlie Chan Image | 第22-24页 |
| 2.3 Causes of Gender Identification of Charlie Chan | 第24-30页 |
| 2.3.1 Traumatic Memory: Racial Discrimination and Chinese Exclusion Act | 第24-26页 |
| 2.3.2 The White Cultural Hegemony | 第26-28页 |
| 2.3.3 Chinese Americans’ Internalized Assimilation Consciousness | 第28-30页 |
| Chapter Three Effects of Cultural Trauma: Identity Crisis of Characters inGunga Din Highway | 第30-37页 |
| 3.1 Longman Kwan: Never Accepted by American Mainstream Society | 第30-32页 |
| 3.2 Ulysses Kwan: Searching for A Heroic and Masculine Gender Identity | 第32-33页 |
| 3.3 Benedict Han: Dangling Between Assimilation and Its Resistance | 第33-35页 |
| 3.4 Diego Chang: Hybrid Identity | 第35-37页 |
| Chapter Four Building A Masculine Gender Identity By Working-ThroughStrategies in Gunga Din Highway | 第37-43页 |
| 4.1 Writing Strategy | 第37-38页 |
| 4.2 Collective Strength: Returning Back to the Chinatown | 第38-40页 |
| 4.3 Construction of A Masculine Chinese American Men’s Gender Identity | 第40-43页 |
| Chapter Five Conclusion | 第43-45页 |
| Bibliography | 第45-49页 |
| Acknowledgements | 第49-50页 |
| Publications | 第50页 |
