| 摘要 | 第1-4页 |
| Abstract | 第4-8页 |
| CHAPTERⅠ INTRODUCTION | 第8-12页 |
| ·Study Background | 第8页 |
| ·Significance of the Study | 第8-10页 |
| ·Organization of the Thesis | 第10-12页 |
| CHAPTER Ⅱ LITERATURE REVIEW | 第12-24页 |
| ·King Lear | 第12-15页 |
| ·Main Content of King Lear | 第12-13页 |
| ·Background of King Lear | 第13-15页 |
| ·Humanism in the Renaissance | 第15-19页 |
| ·The Cause of the Renaissance Campaign | 第15-17页 |
| ·The Guiding Ideology of the Renaissance --- Humanism | 第17-19页 |
| ·The Trace of the Study on King Lear | 第19-24页 |
| CHAPTER Ⅲ THEORETICAL FRAMEWORK: THE THEORY OF WESTERN MARXIST CRITICISM | 第24-30页 |
| ·The Main Theory of Western Marxist Criticism | 第24-26页 |
| ·George Lukács’s Points ofView onLiterature | 第26-30页 |
| CHAPTER Ⅳ AN ANALYSIS OF THE REALITY | 第30-46页 |
| ·The Social and Economic Aspect of the Reality from Vertical Angle | 第31-34页 |
| ·Cordelia and Feudal Aristocrat’s Value | 第32-33页 |
| ·Edmund and the Rising Class | 第33-34页 |
| ·The Historical and Cultural Aspect of the Reality from Horizontal Angle | 第34-40页 |
| ·Iago with Selfishness and Extreme Competitiveness | 第35-37页 |
| ·Edmund with Individual Emancipation and His Chase for Fairness | 第37-38页 |
| ·The “Black Giants” in the Renaissance | 第38-40页 |
| ·The Ideological Analysis of the Reality | 第40-46页 |
| ·The Function of Ideology in the Play | 第40-42页 |
| ·The Old Ideology Doomed to Be Replaced by A New One | 第42-46页 |
| CHAPTER Ⅴ AN ANALYSIS OF THE IDEAL | 第46-60页 |
| ·Lear’s Psychological Transformation | 第46-51页 |
| ·Lear’s Blindness | 第46-48页 |
| ·Lear’sAwakening | 第48-51页 |
| ·The Rethinking of Lear’s Changes | 第51-55页 |
| ·The Return of Humanism | 第55-60页 |
| ·The Resistance to Humanism --- Loss of Oneself | 第55-56页 |
| ·The Revival of Reason and Kindheartedness | 第56-57页 |
| ·Lear’s Tragedy withthe Skepticismof Humanism | 第57-60页 |
| CHAPTER Ⅵ CONCLUSION | 第60-64页 |
| BIBLIOGRAPHY | 第64-67页 |
| ACKNOWLEDGEMENT | 第67-68页 |
| PUBLICATIONS | 第68-69页 |
