| Introduction | 第1页 |
| Chapter One Chinese American Immigrant Literature in the 20th Century | 第7-16页 |
| ·First Stage(Pre-1960s):Humanizing Stereotyped Minority and Dissipating Prejudice | 第7-11页 |
| ·Second Stage(Post-1960s):Blaming Social, Economic, Political Circumstances for the Discrimination and Exploitation of the Ethnic Group | 第11-14页 |
| ·Third Stage: Multiplicity of Literary Exploration Since 1980s | 第14-16页 |
| Chapter Two Maxine Hong Kingston and The Woman Warrior: Memoirs of a Girlhood among Ghosts | 第16-21页 |
| ·Introduction to Maxine Hong Kingston | 第16-19页 |
| ·The Content and Theme of The Woman Warrior | 第19-21页 |
| Chapter Three From Silence to Song-----Talk-story in The Woman Warrior | 第21-46页 |
| ·Growing with Stories: Chinese American Identities, Textual Identities | 第22-25页 |
| ·Talk-story of Fa Mu Lan | 第25-33页 |
| ·Transforming and Displacing Fa Mu Lan's Story into an American Myth | 第26-27页 |
| ·Imagining the American Fa Mu Lan | 第27-33页 |
| ·Talk-story from No Name Woman to Ts'ai Yen | 第33-46页 |
| ·Breaking the Imposed Silence----'You must not tell anyone...' | 第33-36页 |
| ·Questioning Race Definitions: Dialogic Subversions | 第36-44页 |
| ·The Symbolic Ending of the Song of Ts'ai Yen----A Call for Cultural Reintegration | 第44-46页 |
| Conclusion | 第46-48页 |
| Notes | 第48-49页 |
| Bibliography | 第49-53页 |
| Acknowledgements | 第53页 |
