| Abstract | 第5-6页 |
| 摘要 | 第7-9页 |
| Introduction | 第9-19页 |
| Chapter One Innovations from Bible as the Basis of Readers’ MultipleInterpretations | 第19-32页 |
| A. Characters: From Simplicity to Complication | 第19-23页 |
| B. Plots: From Conciseness to Pluralism | 第23-26页 |
| C. Styles: From Monotony to Diversity | 第26-32页 |
| Chapter Two Blanks and Indeterminacy as the Main Causes of Readers’ DiverseUnderstandings | 第32-45页 |
| A. Blanks and Openness in Plots | 第32-36页 |
| B. Changeable and Multiple-faceted Images | 第36-40页 |
| C. Indeterminate Semantics of Dramatic Dialogues | 第40-45页 |
| Chapter Three Multiple Reception Patterns as the Results of Readers’ Constructionsof Text-Meaning | 第45-56页 |
| A. Interweaving of Aestheticism and Moralism | 第45-48页 |
| B. Convergence of Greek Culture and Jewish Culture | 第48-52页 |
| C. Juxtaposition of Theme of Death and Theme of Love | 第52-56页 |
| Conclusion | 第56-58页 |
| Notes | 第58-60页 |
| Bibliography | 第60-64页 |
| Acknowledgements | 第64-65页 |
| Academic Achievements | 第65页 |
