| 摘要 | 第1-5页 |
| Abstract | 第5-6页 |
| Acknowledgements | 第6-9页 |
| Introduction | 第9-13页 |
| Chapter One Cameron’s Personality Structure | 第13-30页 |
| ·A Brief Introduction to Paul Haggis and the Movie Crash | 第13-16页 |
| ·Id—An Unruly and Self-Indulgent Way of Behavior | 第16-21页 |
| ·Having Sex with His Wife While He Is Driving | 第17-19页 |
| ·A Contemptuous Attitude towards the Policeman | 第19-20页 |
| ·Being Self-Righteous On the Set | 第20-21页 |
| ·Superego—Admitted Rules in Crash | 第21-25页 |
| ·The Unchallengeable Power of the Police | 第22-23页 |
| ·The Way Black People“Should”Talk | 第23-25页 |
| ·Ego—Cameron Being Driven Out of Control | 第25-30页 |
| ·Bearing the Indignation of His Wife Being Harassed | 第27-28页 |
| ·Authority as a Director on the Set Being Challenged | 第28-30页 |
| Chapter Two Cameron’s Defense Mechanism | 第30-39页 |
| ·Cameron’s Disguise: To Reduce Anxiety | 第30-31页 |
| ·Approach: By Repressing the Actual Feeling | 第31-39页 |
| ·Sublimation | 第31-33页 |
| ·Repression | 第33-34页 |
| ·Displacement | 第34-35页 |
| ·Denial | 第35-39页 |
| Chapter Three Cameron’s Eros and Thanatos | 第39-50页 |
| ·Cameron’s Eros | 第39-44页 |
| ·Bearing the Humiliation from the Police | 第40-42页 |
| ·Compromising with the Screenwriter | 第42-44页 |
| ·Cameron’s Thanatos | 第44-50页 |
| ·Fighting With the Robbers | 第45-47页 |
| ·Desperately Abusing the Police | 第47-50页 |
| Conclusion | 第50-53页 |
| Works Cited | 第53-55页 |
