| 摘要 | 第1-6页 |
| Abstract | 第6-8页 |
| Introduction | 第8-15页 |
| Chapter One Poe's Critical Views on Beauty | 第15-33页 |
| ·Supernal Beauty | 第16-22页 |
| ·Beauty as An Effect | 第22-27页 |
| ·The Effect of Totality | 第22-25页 |
| ·The Effect of Originality | 第25-27页 |
| ·The Access to Beauty | 第27-33页 |
| ·Circumscription from the Outside World | 第27-30页 |
| ·Removal from the Earthly Self | 第30-33页 |
| Chapter Two Beauty in Poe's Poetry | 第33-64页 |
| ·Poem: The Allegory of Beauty | 第34-44页 |
| ·The Aspiration for Beauty of A Disturbed Psyche | 第35-39页 |
| ·The Allegory in "The Haunted Palace" | 第39-44页 |
| ·Beauty in the Poetic Musicality | 第44-57页 |
| ·The Refrain in Poe's Poems | 第45-52页 |
| ·The Prosody of "The Raven" | 第52-57页 |
| ·Beauty in Poe's Feminine Ideal | 第57-64页 |
| Chapter Three Beauty in Poe's Tales | 第64-86页 |
| ·Uranian and Dionaean | 第65-72页 |
| ·The Tripartite Complex in "Usher" | 第66-69页 |
| ·The Doppleganger in "William Wilson" and "Ligeia" | 第69-72页 |
| ·Tales: The Circumscribed Allegory of Beauty | 第72-80页 |
| ·The Allegory of Externalized Psyche | 第72-76页 |
| ·The Circumscribed Protagonists | 第76-80页 |
| ·An Analysis on the Totality of Effect in "Usher" and Other Tales | 第80-86页 |
| Conclusion | 第86-89页 |
| Bibliography | 第89-92页 |
| Acknowledgements | 第92-93页 |
| Appendix | 第93-94页 |
| 原创声明 | 第94页 |
