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重写经典--论《藻海无边》中来自权力关系边缘者的抵抗

摘要第4-5页
Abstract第5-6页
Introduction第8-16页
Chapter One Literary Canon as a Way of Maintaining Imperial Power第16-29页
    1.1 Literature and Cultural Hegemony第16-19页
    1.2 Said’s View on Power and Literature第19-23页
    1.3 Jane Eyre at Imperial Centre第23-29页
        1.3.1 Jane Eyre’s Success and Imperialism第23-26页
        1.3.2 St. John’s Missionary Work and Imperialism第26-29页
Chapter Two Wide Sargasso Sea: Resisting the Dominant Discourse of Jane Eyre第29-41页
    2.1 The Restoration of the Life of“Bertha Mason”as“Antoinette Cosway”第30-33页
    2.2 The Rewriting of the Bertha Mason “Plot” in Jane Eyre第33-35页
    2.3 A Truthful Relation of the West Indian Environment第35-37页
    2.4 The Intertextual Devices of Wide Sargasso Sea第37-41页
Chapter Three Representing the Colonized and the Colonizer Both as Victims:a Wayto Resist Cultural Hegemony第41-51页
    3.1 Antoinette’s Dilemma as a White Creole第42-45页
        3.1.1 Antoinette’s Attachment to the Caribbean World and Black Culture第42-44页
        3.1.2 Antoinette’s Longing for the English World第44-45页
    3.2 Rochester’s Predicament as an English Man第45-51页
        3.2.1 A Spokesman for Colonialism第46-47页
        3.2.2 A Victim of the Patriarchal Society第47-51页
Conclusion第51-55页
Bibliography第55-58页
Acknowledgements第58页

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