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Deviation and Salvation: The Magician of Lublin in Light of Ethical Criticism

ACKNOWLEDGEMENTS第9-10页
ABSTRACT第10页
摘要第11-14页
CHAPTER I INTRODUCTION第14-21页
    1.1 Singer and The Magician of Lublin第14-19页
    1.2 Structure of the Thesis第19-21页
CHAPTER II LITERATURE REVIEW第21-29页
    2.1 Studies Abroad第21-25页
        2.1.1 Interpretations of Singer’s“Modernity”and“Jewishness”第21-23页
        2.1.2 Interpretations of Singer’s“Dualism”and“Bilingualism”第23-25页
    2.2 Studies at Home第25-29页
CHAPTER III THEORETICAL FRAMEWORK第29-36页
    3.1 Ethical Literary Criticism第29-31页
        3.1.1 The Origin of Ethical Literary Criticism in the West第29-30页
        3.1.2 The Development of Ethical Literary Criticism in China第30-31页
    3.2 Basic Concepts and the Sphinx Factor第31-34页
        3.2.1 Basic Concepts第31-33页
        3.2.2 The Sphinx Factor第33-34页
    3.3 Main Guidelines第34-36页
CHAPTER IV YASHA’S STRUGGLE IN THREE ETHICAL ENVIRONEMNTS第36-50页
    4.1 The Deformed Family Ethics第36-40页
        4.1.1 Monotonous Family Atmosphere第37-38页
        4.1.2 Complicated Sexual Relationships第38-40页
    4.2 The Paradoxical Interpersonal Ethics第40-44页
        4.2.1 Superficial Indifference of Yasha第41-42页
        4.2.2 Hidden Kindness of Yasha第42-44页
    4.3 The Unfair Social Ethics第44-50页
        4.3.1 The Social Prejudice against Yasha as a Jewish Magician第44-47页
        4.3.2 Yasha’s Ethical Dilemma under the Unjust Social Reality第47-50页
CHAPTER V THE LOSS OF ETHICAL IDENTITY第50-57页
    5.1 The Inflation of Yasha’s Evil and Desire第50-53页
    5.2 Yasha’s Complex Emotion to God第53-57页
CHAPTER VI THE AWAKENING OF ETHICAL CONSCIOUSNESS第57-62页
    6.1 Sublimation by the Third Visit of the Synagogue第57-58页
    6.2 Salvation in the Brick Confession House第58-60页
    6.3 Final Pilgrimage to Inner-Peace第60-62页
CHAPTER VII CONCLUSION第62-64页
WORKS CITED第64-68页

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