| ABSTRACT | 第9页 |
| 摘要 | 第10-13页 |
| CHAPTER I. INTRODUCTION | 第13-18页 |
| 1.1 A General Idea about Nabokov's Otherworld | 第13-15页 |
| 1.2 A Brief Introduction to Nabokov's Short Stories | 第15-18页 |
| CHAPTER II. THE LITERATURE REVIEW | 第18-25页 |
| CHAPTER III. THE THEORETICAL FRAMEWORK | 第25-34页 |
| 3.1 The Russian Formalism | 第25-29页 |
| 3.1.1 The Literariness of the Literature | 第27页 |
| 3.1.2 The Defamiliarization | 第27-29页 |
| 3.2 Samuel Taylor Coleridge's Imagination Concept | 第29-34页 |
| 3.2.1 The Imagination | 第31-33页 |
| 3.2.2 The Organic Unity | 第33-34页 |
| CHAPTER IV. THE FIRST LINK BETWEEN THE AESTHETICS AND METAPHYSICS: THE DEFAMILIARIZATION | 第34-45页 |
| 4.1 The Defamiliarized Lexis | 第35-39页 |
| 4.1.1 The Defamiliarized Flora in ''Terra Incognita'' | 第36-37页 |
| 4.1.2 The Fictionalized Places in ''Spring in Fialta'' | 第37-39页 |
| 4.2 The Defamiliarized Narrators | 第39-45页 |
| 4.2.1 The Dead Narrator in ''Terra Incognita'' | 第39-42页 |
| 4.2.2 The Double Narrators in ''Cloud, Castle, Lake'' | 第42-45页 |
| CHAPTER V. THE SECOND LINK BETWEEN THE AESTHETICS ANDMETAPHYSICS: THE SECONDARY IMAGINATION | 第45-56页 |
| 5.1 The Memory | 第46-51页 |
| 5.1.1 The Memory in ''Spring in Fialta'' | 第47-48页 |
| 5.1.2 The Memory in ''Mademoiselle O" | 第48-51页 |
| 5.2 The Intuition | 第51-56页 |
| 5.2.1 The Epiphanic Experience in ''Cloud, Lake, Castle'' | 第51-53页 |
| 5.2.2 The Epiphanic Experience in ''The Vane Sisters'' | 第53-56页 |
| CHAPTER VI. THE FUSION OF THE AESTHETICS AND METAPHYSICS: THEONENESS OF THE OTHERWORLD | 第56-65页 |
| 6.1 Cosmic Synchronization | 第57-61页 |
| 6.1.1 The Estranging Reality in ''Cloud, Castle, Lake'' | 第57-60页 |
| 6.1.2 The Timeless Life in ''Terra Incognita'' | 第60-61页 |
| 6.2 The Eternity of the Love | 第61-65页 |
| 6.2.1 The Free Will of the Creation in ''The Vane Sisters'' | 第62-63页 |
| 6.2.2 The Opposition to the Totalitarianism in ''Cloud, Castle, Lake'' | 第63-65页 |
| CHAPTER VII. CONCLUSION | 第65-66页 |
| WORKS CITED | 第66-69页 |
