| Acknowledgements | 第1-5页 |
| 摘要 | 第5-7页 |
| Abstract | 第7-10页 |
| List of Abbreviations | 第10-12页 |
| Introduction | 第12-22页 |
| Ⅰ. Iris Murdoch and Her View of Female Selfhood | 第12-15页 |
| Ⅱ. Literature Review: Studies on Iris Murdoch’s Female Characters in China and Abroad | 第15-17页 |
| Ⅲ. The Argument and Organization of the Dissertation | 第17-22页 |
| Chapter One The Fragmentation of the Female Selfhood in The Flight from the Enchanter | 第22-42页 |
| Ⅰ. The Disruption of Women’s Self-awareness | 第23-30页 |
| Ⅱ. The Marginalization of Women’s Identity | 第30-35页 |
| Ⅲ. The Disintegration of Female Self | 第35-42页 |
| Chapter Two The Growth of Female Self-Consciousness in A Fairly Honourable Defeat | 第42-64页 |
| Ⅰ. Quest for the Female Self-awareness | 第43-51页 |
| Ⅱ. Attempt to Unite Form with Contingency | 第51-59页 |
| Ⅲ. Self-Liberation from Androcentric Fantasy | 第59-64页 |
| Chapter Three The Establishment of Female Identity in The Black Prince | 第64-86页 |
| Ⅰ. Reorientation of Self-identification with the Freedom of Choice | 第66-70页 |
| Ⅱ. Completeness of Female Individuality by Achieving Independence | 第70-78页 |
| Ⅲ. Empowerment through Feminine Narrative in the Male Supremacy | 第78-86页 |
| Chapter Four Integration of Female Self in The Good Apprentice | 第86-111页 |
| Ⅰ. Decentralization of the Patriarchal Household | 第89-100页 |
| Ⅱ．Reconciliation with the Real World | 第100-106页 |
| Ⅲ. Self-actualization on Women’s Pilgrimage to Goodness | 第106-111页 |
| Conclusion | 第111-117页 |
| Works Cited | 第117-121页 |
