| Acknowledgements | 第5-6页 |
| Abstract | 第6页 |
| 摘要 | 第7-9页 |
| Chapter One Introduction | 第9-19页 |
| 1.1 A Brief Introduction to Zadie Smith and Her Works | 第9-10页 |
| 1.2 Literature Review | 第10-14页 |
| 1.3 Youth Post-subcultural Theory | 第14-18页 |
| 1.4 The Layout of the Thesis | 第18-19页 |
| Chapter Two The New Resistance and Di Y Counter-tribes in White Teeth | 第19-31页 |
| 2.1 Opposition to Being Marginalized through KEVIN | 第19-24页 |
| 2.2 Confrontation with the Dominant Exploitation by FATE | 第24-26页 |
| 2.3 Discontent at Being Discriminated via Chalfenism | 第26-31页 |
| Chapter Three The Artificial Boundary and Multicultural Identity Performancein The Autograph Man | 第31-41页 |
| 3.1 The Illusion of Chinese Identity Performance | 第31-34页 |
| 3.2 The Delusion of Western Identity Performance | 第34-37页 |
| 3.3 The Deception of Jewish Identity Performance | 第37-41页 |
| Chapter Four The Disconnections and the Macro-politics in On Beauty | 第41-51页 |
| 4.1 The Tentative Revolt to the Class Immobility | 第41-44页 |
| 4.2 The Radical Resistance to the Race Discrimination | 第44-47页 |
| 4.3 The Feminist Rebellion to the Gender Oppression | 第47-51页 |
| Chapter Five Conclusion | 第51-54页 |
| Bibliography | 第54-59页 |
