| Acknowledgements | 第5-6页 |
| 摘要 | 第6-7页 |
| Abstract | 第7-8页 |
| Chapter One Introduction | 第10-22页 |
| 1.1 Julian Barnes: Life and Works | 第10-12页 |
| 1.2 Literature Review | 第12-18页 |
| 1.3 Mikhail Bakhtin’s Dialogic Theory | 第18-20页 |
| 1.4 The Layout of the Thesis | 第20-22页 |
| Chapter Two The Construction of Cultural Self in England, England | 第22-36页 |
| 2.1 The Construction of the Illusive Cultural Self: Submission to the Simulacra ofBritish Culture | 第23-29页 |
| 2.2 The Disruption of the Illusive Cultural Self: The Dialogue with the CarnivalOthers | 第29-33页 |
| 2.3 The Reconstruction of the Cultural Self: Hope in Despair | 第33-36页 |
| Chapter Three The Construction of Moral Self in The Sense of an Ending | 第36-49页 |
| 3.1 The Construction of the Deceptive Self：Egocentric and Mediocre Morality | 第37-41页 |
| 3.2 The Subversion of the Deceptive Self : The Polyphonic Voices of Others | 第41-45页 |
| 3.3 The Reconstruction of the Moral Self: The Man of Idea | 第45-49页 |
| Chapter Four The Construction of Artistic Self in The Noise of Time | 第49-57页 |
| 4.1 The Construction of the Coward Self: In the Chronotope of the Landing | 第50-53页 |
| 4.2 The Disintegration of the Coward Self: In the Chronotope of Plane | 第53-55页 |
| 4.3 The Reconstruction of the Artistic Self: In the Chronotope of the Car | 第55-57页 |
| Chapter Five Conclusion | 第57-59页 |
| Bibliography | 第59-63页 |
