| ABSTRACT | 第6-7页 |
| 摘要 | 第8-9页 |
| Acknowledgements | 第9-12页 |
| CHAPTER ONE INTRODUCTION | 第12-21页 |
| 1.1 Background of the Study | 第12-13页 |
| 1.2 Literature Review of Yeats Studies | 第13-19页 |
| 1.2.1 Critical Studies of Yeats in the West | 第13-17页 |
| 1.2.2 Critical Studies of Yeats in China | 第17-19页 |
| 1.3 Purpose and Significance of the Study | 第19-21页 |
| CHAPTER TWO YEATS AND THE MILIEU | 第21-27页 |
| 2.1 The Existential Predicament of Modern Cousciousness:Divided Selfhood | 第21-23页 |
| 2.2 Yeats and Romanticism | 第23-25页 |
| 2.3 Yeats and Modernism | 第25-27页 |
| CHAPTER THREE YEATS:THE MAN AND HIS THOUGHT | 第27-36页 |
| 3.1 Yeats's Consciousness as Conflict Divided selfhood | 第27-29页 |
| 3.2 Yea Dualistic World View | 第29-32页 |
| 3.3 Yeats's Unifying Principle:Perpetual Self-renewal | 第32-36页 |
| CHAPTER FOUR YEATS'S DOCTRINE OF THE MASK | 第36-50页 |
| 4.1 The Sources of the Doctrine of the Mask | 第36-41页 |
| 4.1.1 Significance of the Doctrine of the Mask | 第36-37页 |
| 4.1.2 Oscar Wilde's Theory of the Pose | 第37-38页 |
| 4.1.3 Influence of the Greek Philosophy,Blakean and Nietzschean Influence | 第38-41页 |
| 4.2 Yeats's Doctrine of the Mask | 第41-46页 |
| 4.2.1 Implications of the Doctrine of the Mask | 第41-43页 |
| 4.2.2 Significance of the Theory of Anti-self | 第43-46页 |
| 4.3 Unity of Being | 第46-50页 |
| 4.3.1 Unity of Being and the Mask | 第46-48页 |
| 4.3.2 The Rose and Dance as Symbols for Unity of Being | 第48-50页 |
| CHAPTER FIVE THE WORLD OF TRAGIC ANTINOMIES OF A VISION | 第50-62页 |
| 5.1 Evaluation and Interpretation of Yeats's A Vision | 第50-52页 |
| 5.2 Yeats's Creation of a Tragic World | 第52-55页 |
| 5.3 Yeats's Cyclical System in A Vision | 第55-58页 |
| 5.4 Yeats's Double Vision | 第58-62页 |
| CHAPTER SIX CONCLUSION | 第62-64页 |
| WORKS CITED | 第64-68页 |
| 攻读硕士学位期间发表的论文 | 第68页 |
