| 摘要 | 第4-5页 |
| ABSTRACT | 第5-6页 |
| Introduction | 第8-13页 |
| Chapter One Theoretical Framework | 第13-20页 |
| 1.1 A Critical Review of the Issue of the Other in History | 第13-15页 |
| 1.2 Edward Said's Notion of the Other | 第15-17页 |
| 1.3 Julia Kristeva's Notion of Recognizing the Other | 第17-20页 |
| Chapter Two Otherness Embodied in Vogel's Plays | 第20-31页 |
| 2.1 Otherness of Homosexuality | 第20-23页 |
| 2.2 Otherness of AIDS Victims | 第23-26页 |
| 2.3 Otherness of Feminist Sexuality | 第26-28页 |
| 2.4 Otherness of Pedophilia | 第28-31页 |
| Chapter Three Recognition of the Other Indicated in Vogel's Plays | 第31-39页 |
| 3.1 Recognition of the Other in Learning Foreign Languages | 第31-32页 |
| 3.2 Recognition of the Other in the European Trip | 第32-33页 |
| 3.3 Recognition of the Other in Waltz | 第33-36页 |
| 3.4 Recognition of the Other in Driving | 第36-39页 |
| Chapter Four The Momentum and Art for Constructing the Other in Vogel's Plays | 第39-45页 |
| 4.1 The Momentum of Constructing the Other in The Baltimore Waltz | 第39-40页 |
| 4.2 The Art for Constructing the Other in Vogel's Plays | 第40-45页 |
| 4.2.1 The Art of Brechtian Defamiliarization | 第40-41页 |
| 4.2.2 Bitter Irony and Humor to Discuss Serious Topics | 第41-43页 |
| 4.2.3 The Art of Retaliation to Literary Works | 第43-45页 |
| Conclusion | 第45-47页 |
| Bibliography | 第47-50页 |
| Acknowledgements | 第50页 |
