| Acknowledgements | 第6-8页 |
| 摘要 | 第8-10页 |
| Abstracts | 第10-11页 |
| Introduction | 第13-32页 |
| Chapter Ⅰ.The Engagement of Broad-based Audience | 第32-78页 |
| 1.The Manipulation of Exotic/controversial Subject Matter | 第33-46页 |
| 2.The Adaptation of Popular Narrative Strategies | 第46-64页 |
| 3.The Disruption of Traditional Genre Expectations | 第64-78页 |
| Chapter Ⅱ.Epiphany through High Theatricality | 第78-139页 |
| 1.The Conjuration of Gods in Mime and Ritual | 第81-93页 |
| 2.The Redefinition of Moral Polarities with Costume | 第93-112页 |
| 3.The Construction of Subjective Reality through Sounds/music | 第112-139页 |
| Chapter Ⅲ.The Empowerment and Restraints of Actor-Priests | 第139-192页 |
| 1.The Creation of Credible Characters | 第148-160页 |
| 2.The Setup of Scenes with Multiple Possibilities | 第160-174页 |
| 3.The Customized Parts for Individual Actors | 第174-192页 |
| Conclusion | 第192-200页 |
| Works Cited | 第200-208页 |
