| Acknowledgements | 第1-5页 |
| Abstract | 第5-7页 |
| 摘要 | 第7-10页 |
| Introduction | 第10-19页 |
| ·John Fowles and Daniel Martin | 第10-12页 |
| ·Current Researches on Daniel Martin | 第12-14页 |
| ·Bakhtin's Theory of Carnivalization and Dialogism | 第14-19页 |
| Chapter One Carnivalized Setting:Multiple Variants of Carnival Square | 第19-29页 |
| ·Carnivalized Thorncombe:An Idealized Retreat | 第19-22页 |
| ·Roads and Doors:A Birthplace of Radical Change and Crisis | 第22-25页 |
| ·Feasts and Parties:A Transformed Carnival Square | 第25-29页 |
| Chapter Two Paired Images:The Dualistic Features of Carnivalized Characters | 第29-39页 |
| ·Anthony and Daniel:A Symbol of Awakening and Redemption | 第29-32页 |
| ·Jenny and Jane:A Contrast between Present and Past | 第32-36页 |
| ·Daniel and Jane:A Decrowned King and a Crowned Muse | 第36-39页 |
| Chapter Three Multiple Voices:The Intricate Dialogic Relationships in Daniel Martin | 第39-50页 |
| ·The Coexistence of Different Voices | 第39-43页 |
| ·The Dialogue between the Narrating Daniel and the Experiencing Daniel | 第43-46页 |
| ·Fowles's Intrusion into the Text as an Invisible Character | 第46-50页 |
| Conclusion | 第50-52页 |
| Works Cited | 第52-54页 |
