| Abstract | 第1-7页 |
| 内容摘要 | 第7-9页 |
| Acknowledgements | 第9-14页 |
| Chapter One Introduction | 第14-20页 |
| ·Significance and Objective of the Study | 第15-17页 |
| ·Approach Used in the Thesis | 第17-18页 |
| ·Organization of the Thesis | 第18-20页 |
| Chapter Two Theoretical Background | 第20-40页 |
| ·Systemic Functional Linguistics | 第20-21页 |
| ·Three Metafunctions | 第21-33页 |
| ·Transitivity System | 第22-23页 |
| ·Mood System | 第23-25页 |
| ·Mood | 第23-24页 |
| ·Modality | 第24-25页 |
| ·Thematic Structure | 第25-27页 |
| ·Unmarked Theme and Marked Theme | 第26页 |
| ·Simple, Multiple and Clausal Theme | 第26-27页 |
| ·Cohesion System | 第27-33页 |
| ·Phonological Cohesion | 第31-33页 |
| ·Rhythm Cohesion | 第31页 |
| ·Rhyme Cohesion | 第31-32页 |
| ·Sounds and Sense | 第32-33页 |
| ·Context | 第33-34页 |
| ·Register Theory | 第33-34页 |
| ·Field | 第34页 |
| ·Tenor | 第34页 |
| ·Mode | 第34页 |
| ·The Relationship Between Semantic System and Context of Situation | 第34-35页 |
| ·Foregrounding Theory | 第35-36页 |
| ·Application to the Study of Literary Text | 第36-40页 |
| Chapter Three Metafunctions in Analyzing the three Poems | 第40-82页 |
| ·Three Metafunctions Analysis of Break, Break,Break | 第42-56页 |
| ·Transitivity System | 第45-47页 |
| ·Mood and Modality | 第47-50页 |
| ·Mood | 第47-48页 |
| ·Modality | 第48-50页 |
| ·Theme and Rheme | 第50-51页 |
| ·Cohesive Devices Used in the Poem | 第51-56页 |
| ·Three Metafunctions Analysis of The Eagle | 第56-64页 |
| ·Transitivity System | 第58-59页 |
| ·Mood and Modality | 第59-61页 |
| ·Mood | 第59-60页 |
| ·Modality | 第60-61页 |
| ·Theme and Rheme | 第61-62页 |
| ·Cohesive Devices Used in the Poem | 第62-64页 |
| ·Three Metafunctions Analysis of Crossing the Bar | 第64-73页 |
| ·Transitivity System | 第68-69页 |
| ·Mood and Modality | 第69-71页 |
| ·Mood | 第69-70页 |
| ·Modality | 第70-71页 |
| ·Theme and Rheme | 第71-72页 |
| ·Cohesive Devices Used in the Poem | 第72-73页 |
| ·Features in the Three Poems in view of FS | 第73-82页 |
| ·Features of Break, Break, Break | 第73-76页 |
| ·Features of The Eagle | 第76-78页 |
| ·Features of Crossing the Bar | 第78-82页 |
| Chapter Four Interpretation of the Phenomena in the Analysis | 第82-96页 |
| ·An Interpretation and Evaluation of the three Poems | 第82-88页 |
| ·A Study of ‘Context of Situation’of the three Poems | 第82-87页 |
| ·A Study of the ‘Context of Situation’of Break, Break,Break | 第82-84页 |
| ·A Study of the ‘Context of Situation’of the Eagle | 第84-85页 |
| ·A Study of the ‘Context of Situation’of Crossing the Bar | 第85-86页 |
| ·Comparison of the three poems in terms of ‘Context of Situation | 第86-87页 |
| ·Field | 第86页 |
| ·Tenor | 第86页 |
| ·Mode | 第86-87页 |
| ·A Study of ‘Context of Culture’of the three poems | 第87-88页 |
| ·An Interpretation of Motivated Prominence in the three Poems | 第88-96页 |
| ·Foregrounding Analysis of Break, Break, Break | 第89-91页 |
| ·Foregrounding Analysis of The Eagle | 第91-93页 |
| ·Foregrounding Analysis of Crossing the Bar | 第93-96页 |
| Chapter Five Conclusion | 第96-99页 |
| References | 第99-101页 |
