| 摘要 | 第1-4页 |
| Abstract | 第4-8页 |
| Introduction | 第8-15页 |
| Chapter One A Survey of Iris Murdoch's Philosophical and Literary Views with a Thematic Quest of The Black Prince | 第15-31页 |
| ·Iris Murdoch the Philosopher | 第15-18页 |
| ·The Murdochian Eros | 第18-25页 |
| ·Iris Murdoch's Artistic View | 第25-28页 |
| ·The Black Prince and a Thematic Quest | 第28-31页 |
| Chapter Two The Unselfing Pilgrim: the Narrator | 第31-46页 |
| ·Clarification of Narrative Notions | 第31-33页 |
| ·The Questing Hero: Unbosoming by First-Person Narration | 第33-39页 |
| ·Purgation: Dissonant Narration | 第39-42页 |
| ·A Universal Fable: Male Narration | 第42-46页 |
| Chapter Three Exemplification of Unselfness through Her Own Writing:Plotting and Setting | 第46-63页 |
| ·The Beautiful Pattern | 第48-54页 |
| ·Mythological plot | 第48-50页 |
| ·Parallelism to Der Rosenkavalier | 第50-51页 |
| ·Allusion to Hamlet | 第51-54页 |
| ·Respect for Contingency | 第54-59页 |
| ·Realistic Presentation of London as the Setting | 第59-63页 |
| Chapter Four The Pilgrim's Progress: Narrative Symbols | 第63-76页 |
| ·Flat as Womb of Self | 第64-66页 |
| ·Streets with Their Un-self Connotation | 第66-68页 |
| ·Post Office Tower as a Phallic Illusion | 第68-72页 |
| ·The Sea as Another Illusion | 第72-74页 |
| ·Prison Which Proves to Be the Real Jerusalem | 第74-76页 |
| Conclusion | 第76-80页 |
| Bibliography | 第80-86页 |
| Acknowledgements | 第86页 |
