| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Introduction | 第8-16页 |
| 0.1 Critical Review of The Mambo Kings Play Songs of Love | 第9-11页 |
| 0.2 The Feasibility and Significance of the Research | 第11-13页 |
| 0.3 Research Method and Organization of the Thesis | 第13-16页 |
| Chapter One Diaspora’s Americanized Cultural Identity | 第16-25页 |
| 1.1 The Learning of English | 第16-19页 |
| 1.2 The Eroding of Consumerism | 第19-21页 |
| 1.3 The Pursuit of Individualism | 第21-25页 |
| Chapter Two Diaspora’s Cuban Cultural Identity | 第25-34页 |
| 2.1 Mambo Music as a Trigger of Past Love | 第25-28页 |
| 2.2 Food as a Reminder of Cuban Culture | 第28-30页 |
| 2.3 Cuban Memory as the Root of Self | 第30-34页 |
| Chapter Three Diasporas’ Hybrid Cultural Identity | 第34-43页 |
| 3.1 The Coexistence of American Culture and Cuban Culture | 第35-37页 |
| 3.2 The Flexible Conversion Between American Actor and Cuban Musician | 第37-39页 |
| 3.3 The Negotiation Between Cuban Culture and American Culture | 第39-43页 |
| Conclusion | 第43-45页 |
| Notes | 第45-46页 |
| Works Cited | 第46-49页 |
| Acknowledgements | 第49-50页 |
| Informative Chinese Abstract | 第50-53页 |
| Résumé and Publications since Entering the Program | 第53页 |
