Acknowledgments | 第5-10页 |
Abstract | 第10页 |
摘要 | 第11-12页 |
Introduction | 第12-14页 |
1. Significance of the Thesis | 第12页 |
2. Structure of the Thesis | 第12-14页 |
Chapter One The Theory of Defamilia rization and Faulkner's Three Novels | 第14-24页 |
1.1 William Faulkner and His Three Novels | 第14-18页 |
1.1.1 Introduction to William Faulkner | 第14-15页 |
1.1.2 Introduction to The Sound and The Fury,As,I Lay Dying,and Light in August | 第15-18页 |
1.2 Literature Review | 第18-20页 |
1.3 The Theory of Defamiliarization | 第20-24页 |
Chapter Two The Defamiliarized Language in Faulkner's Narrative Techniques | 第24-38页 |
2.1 Simile | 第25-28页 |
2.2 Metaphor | 第28-31页 |
2.3 Irony | 第31-33页 |
2.4 Repetitive Discourse | 第33-36页 |
2.5 Irregular Use of Punctuation | 第36-38页 |
Chapter Three The Defamiliarized Focalization in Faulkner's Narrative Techniques | 第38-52页 |
3.1 The Defamiliarized Internal Focalization | 第38-44页 |
3.1.1 Variable Internal Focalizers of Numerous Characters | 第39-42页 |
3.1.2 Multiple Internal Focalizers to the Same Focalized Object | 第42-44页 |
3.2 The Defamiliarized External Focalization of the Witnesses | 第44-47页 |
3.3 The Defamiliarized Zero Focalization as the Voice of the Author | 第47-49页 |
3.4 Alteration among Various Focalizations | 第49-52页 |
Chapter Four The Defamilia ried Structure in Fanlkner's Narrative Techniques | 第52-65页 |
4.1 The Defamiliarized Anachronic Narrative Order | 第52-57页 |
4.1.1 Analepsis in Characters' Minds | 第53-55页 |
4.1.2 Prolepsis in Story Expansion | 第55-57页 |
4.2 The Defamiliarized Construction of Plot | 第57-65页 |
4.2.1 Discontinuity of Juxtaposed Story lines | 第57-61页 |
4.2.2 Contrast and Connection of Different Stories | 第61-65页 |
Conclusion | 第65-67页 |
Notes | 第67-72页 |
Bibliography | 第72-76页 |
在学期间的研究成果 | 第76页 |